The Yellow Wall-Paper and Other Writings

Collected fiction and essays by a pillar of the American feminist canon—with an introduction by Halle Butler, a National Book Award Foundation “5 Under 35” honoree and a Granta Best Young American Novelist

Charlotte Perkins Gilman was a writer, editor, and journalist whose poems, articles, short stories, and novels had a single focus: equality for women. Although best known for “The Yellow Wall-Paper,” her spine-chilling takedown of the “rest cure” prescribed for postpartum depression, Gilman spent her life advocating for a woman’s right to an education, to creative self-expression and economic self-sufficiency, and an end to the consumerism that blinded women to the ways that society held them back. 
 
This collection brings together Gilman’s best-known work with her lesser-known satirical short stories to provide an overarching introduction to this relentless ideologue.
 
The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

Charlotte Perkins Gilman, feminist, author, critic, and theorist, was born on July 3, 1860, in Hartford, Connecticut. In 1884 she married Charles Walter Stetson, gave birth to a daughter the following year, and was subsequently overcome by bouts of depression, which nearly caused her complete breakdown. Finally, she fled to California and created a scandal by obtaining a divorce and granting custody of her daughter to her husband. In 1892 her story "The Yellow Wallpaper" appeared, and she began her writing and social activism in earnest. She became a contributing editor to The American Fabian and fought for reforms based on her socialist and feminist ideals. Her most famous book, Women and Economics (1898), was translated into seven languages, winning her international recognition. In 1900 she married George Houghton Gilman. For seven years she wrote and edited her own magazine, The Forerunner, and she wrote ten more books, including The Home (1902), Human Works (1904), and The Man-Made World: Our Androcentric Culture (1911). Her famous utopian novel, Herland, appeared in 1915. She committed suicide in 1935 while dying from breast cancer.