DROWN

With ten stories that move from the barrios of the Dominican Republic to the struggling urban communities of New Jersey, Junot Diaz makes his remarkable debut.
In "Ysrael", two brothers hunt a disfigured boy who hides behind a mask; in "No Face", the mirror is flipped and perspective belongs to the tormented. In "Fiesta, 1980", a spirited family gathering plays against the noiseless hum of a father's infidelities. In "Boyfriend", a young man eavesdrops on the woman next door and colors in the life overheard with the drama born of intense longing. And always, it seems there is the throb of waiting: in "Aguantando", for the fulfillment of a promise; in "Negocios", for rescue; in "Aurora", for respite; in "Drown", for resolution.

Junot Díaz’s fiction has appeared in The New Yorker, The Paris Review, and The Best American Short Stories. His highly-anticipated first novel, The Brief Wondrous Life of Oscar Wao, was greeted with rapturous reviews, including Michiko Kakutani in The New York Times calling it “a book that decisively establishes him as one of contemporary fiction's most distinctive and irresistible new voices.” His debut story collection, Drown, published eleven years prior to Oscar Wao, was also met with unprecedented acclaim; it became a national bestseller, won numerous awards, and has since grown into a landmark of contemporary literature. Born in the Dominican Republic and raised in New Jersey, Díaz lives in New York City and is a professor of creative writing at MIT.