The Official Photodex Guide to Proshow 4
, by Karney, JamesNote: Supplemental materials are not guaranteed with Rental or Used book purchases.
- ISBN: 9781598639698 | 1598639692
- Cover: Paperback
- Copyright: 7/23/2009
With the amazing, easy-to-use features of new ProShow 4, you can create polished multimedia productions that sizzle! Presentations are a growing part of everyday life, from the conference room to the living room, and today's viewers want presentations that pop. "The Official Photodex? Guide to ProShow? 4" is the solution. A comprehensive guide to ProShow 4 for everyone from graphics and photography professionals, to educators and business professionals, and even novice home users, this book provides step-by-step, how-to-do-it examples with ample screenshots for effective instruction.Updated to provide coverage of all the amazing new features of ProShow 4 including pre-made slide styles, an improved audio sync tool, YouTube HD output, on-screen controls for playback, and animated GIF support, you'll learn how to create stunning multimedia productions that can be shared using everything from optical media, to iPods, to streaming Web content, and more. Perfect your multimedia presentation skills as you cover the basics of design, the fundamentals of ProShow 4 production techniques, and advanced tools to achieve professional results. Interviews with award-winning producers provide insight and ideas along with real-world examples and how-to tips from their work.
James Karney brings his unique viewpoint to this book-a viewpoint developed from his experience as an author, professional photographer, and educator. His work has appeared in PC Magazine, Computer Shopper, Windows Magazine, and Internet World. His books include Mastering Digital Wedding Photography (named a Book of the Year by Shutterbug magazine), the Golden-Lee bestseller Upgrade and Maintain Your PC, Power of CorelDraw!, and the Microsoft Press A+ Certification Training Kit and Readiness Review. James's professional photography experience includes weddings, photojournalism, medicine, and a tour as a photographer in the U.S. Marine Corps. He developed and taught the 18-month photography certificate program at South Georgia Tech and continues to teach computer technology and graphics at the college level. James is a graduate of the U.S. Naval Photographic School and holds a bachelor's degree in communications from Excelsior College, and a Master of Science in computer technology from Nova Southeastern University.
Introduction | p. xv |
The ProShow Editing Workplace and Basic ProShow Skills | p. 3 |
Building Our First Show and Creating Slides Using Drag and Drop | p. 5 |
More Slides, a Transition, and a Soundtrack | p. 6 |
Arranging Slides, Timing, and Previewing a Show | p. 9 |
Previewing a Show | p. 11 |
What's ""In"" a Slide? | p. 13 |
The Slide Options Window | p. 13 |
Getting Fancy with Slide Styles | p. 15 |
A Moving Backdrop | p. 16 |
A Special Effects Primer | p. 17 |
Captions with a Bit of Style | p. 21 |
Up Next | p. 22 |
Beyond the Basics-It's All About Time | p. 25 |
Slide and Transition Timing | p. 26 |
Not Just for Slides-Timing Layers in Producer | p. 29 |
A Closer Look | p. 30 |
A Brief Moment-Layer 2 and the Flash Effect | p. 34 |
Layer 1's Late Entry | p. 35 |
Using the Multi-Layer Keyframe Editor | p. 36 |
A Few Words about Editing in the Prevision Preview Window | p. 38 |
A Simplified Show | p. 41 |
Customizing the ProShow User Interface | p. 42 |
Setting ProShow's Operating Preferences | p. 44 |
Appearance | p. 45 |
Colors for Program | p. 46 |
External Editors | p. 46 |
Keyboard and Remotes | p. 47 |
Internet Preferences | p. 47 |
Miscellaneous Preferences | p. 48 |
Organization: ProShow's Trilogy of Slides, Shows, and Projects | p. 49 |
Saving, Finding, and Collecting Show Files | p. 50 |
Why Files ""Go Missing"" | p. 51 |
Locating Missing Show Files | p. 51 |
Collecting Show Files | p. 53 |
Up Next | p. 54 |
Frames, Motion, and the Layered Look | p. 55 |
The Sllide as a Stage | p. 55 |
Framing Images: A Working Demonstration | p. 56 |
The First Slide-a Simple Invitation | p. 58 |
A Closer Look at the Layers List and the Preview Pane | p. 59 |
Tailoring the Preview Display for Working with Layers | p. 62 |
Adjusting Layers within the Frame | p. 64 |
Interactively Manipulating Layers Using the Mouse | p. 64 |
Motion Basics-Getting from Point A to Point B in Four Dimensions | p. 66 |
The X and Y of Zooming | p. 67 |
A Few Moments with the Keyframe Timeline | p. 69 |
Adding and Placing Multiple Layers Efficiently | p. 70 |
Duplicating the Design | p. 71 |
Understanding X and Y Coordinate Positioning | p. 73 |
Adding and Ordering the Other Image Layers | p. 74 |
Adjusting Size and Rotation | p. 75 |
Getting Things Moving | p. 79 |
Beginnings and Ends: Motion Effects Demystified | p. 81 |
Setting Layers into Motion | p. 83 |
Working with Rotation in Motion | p. 85 |
A Quick Recap | p. 87 |
Smooth Moves: ProShow's Acceleration Styles | p. 89 |
Matchmaking, and Moving Outside the Box | p. 91 |
Putting It All Together | p. 93 |
Two Slides, Two Backgrounds, Eight Layers, and a Disappearing Act | p. 94 |
Matching Motion Speed between Layers | p. 94 |
Who Says We Have to Start at the Beginning-or the Middle? | p. 97 |
Up Next | p. 100 |
Adding and Editing Soundtracks | p. 101 |
Working with Audio Files | p. 102 |
Adding, Removing, Positioning, and Previewing Audio Files | p. 102 |
Using Simple Audio Synchronizing Tools | p. 104 |
A Closer Look at Soundtracks | p. 105 |
Going Interactive: Advanced Sound Controls | p. 106 |
Mastering the Audio Trimmer | p. 107 |
Scaling and Positioning the Waveform | p. 109 |
Setting the Start and End Points | p. 109 |
Adjusting Fade In and Fade Out Intervals | p. 110 |
Editing Soundtracks Using the Timeline | p. 111 |
Adjusting Offsets, Fades, and Volume Using the Timeline Tools | p. 112 |
Creating a Crossfade Effect with the Timeline | p. 115 |
Recording Slide Timings-Precise Transition and Soundtract Synchs | p. 117 |
Menu-Based Volume, Fade, and Offset Controls | p. 120 |
Adding Audio Tracks from a CD | p. 120 |
Adding Soundtracks and Voicecovers to Individual Slides | p. 121 |
Up Next | p. 124 |
Caption Fundamentals: More Than Just a Way with Words | p. 125 |
Basic Caption Design Considerations | p. 126 |
A Special Type of Layer, with Its Own Special Effects | p. 129 |
Blending Text and Motion in the Design | p. 130 |
ProShow's Common Caption Toolkit and a Bit of Typography | p. 133 |
Selecting and Sizing Fonts | p. 133 |
All Fonts Are Not Created Equal | p. 135 |
Adding Another Slide and Caption | p. 138 |
Making Captions Move Using Text Effects | p. 140 |
Alignment and Anchor Points | p. 143 |
""Automatic"" Captions: the Power of Macros | p. 145 |
Inserting Special Characters into a Slide with Macros | p. 146 |
Show Captions, Globalization, and the Art of Invisibility | p. 149 |
Adding a Global Caption | p. 149 |
All Captions Are Not Created Equal | p. 150 |
A Closer Look | p. 153 |
Up Next | p. 156 |
Getting Fancy: Advanced Caption Tools and Keyframing Basics | p. 157 |
Keyframes Defines, Captions Redefines | p. 158 |
ProShow Producter's Caption Window | p. 162 |
Keyframing, Caption Motion Effects, and the Magic of Timing | p. 168 |
Working with the Keyframe Timeline | p. 170 |
Adjusting Keyframes and Text Effects | p. 171 |
Working with Multiple Keyframes | p. 173 |
Adding and Adjusting Keyframes | p. 175 |
Keyframes Move More Than Words | p. 176 |
Adding New Slides | p. 177 |
Setting Adjustment Effects | p. 177 |
Adding and Adjusting the Captions | p. 178 |
Using the Multi-Layer Keyframe Editor | p. 180 |
Up Next | p. 183 |
Advanced Motion Effects Using Keyframes | p. 185 |
A Traffic Control Lesson | p. 186 |
The Smoothing Effect | p. 189 |
Getting Things in Proper Order | p. 190 |
Simple Keyframe Effects: There and Back Again | p. 193 |
Adjusting Keyframe Timing and Position | p. 193 |
Zooming In for a Closer Look | p. 195 |
Locking and Manually Setting Keyframes | p. 196 |
Working with Precision Preview | p. 197 |
Experimenting with Rotation and Precision Preview | p. 198 |
Motion Keyframing with Multiple Layers | p. 199 |
Managing the Preview Area | p. 200 |
Multilayer Motion Effects Workflow | p. 202 |
Placing and Adjusting the Images | p. 203 |
Setting the First Layer's Keyframes | p. 206 |
Adjusting the Layer 1 Transitions | p. 207 |
Adding the Remaining Keyframes | p. 208 |
Creating Layer 2 Keyframes | p. 208 |
Setting the First Three Keyframes | p. 211 |
Swapping Positions: Keyframes 3, 4, and 5 | p. 212 |
Adding a Little Spain: Adjusting Keyframes 5, 6, and 7 | p. 213 |
Designing Complex Motion Effects: The Real Deal | p. 216 |
A Quick Shuffle, and Laying Down the Cards | p. 217 |
Examining the Table Background | p. 218 |
The Staggered Entry Transformed into a Second Collage | p. 219 |
Up Next | p. 222 |
Adjustment Effects and Advanced Editing | p. 223 |
Adjustment Effects Controls | p. 223 |
Working with the Colorize Controls | p. 223 |
The Oz Effect: Black and White to Color | p. 226 |
Combining Adjustment Effects with Layer and Motion Techniques | p. 232 |
Opacity: It's Not Just an Adjustment Control | p. 234 |
Smooth Moves: Creating a Composition with Opacity and Transitions | p. 237 |
Creating an Overlay with Opacity | p. 241 |
Hue Adjustments: Playing with Color on the Move | p. 243 |
Setting Up the Layers | p. 243 |
Motion and Adjustment Effects: An Intricate Dance, with Some Sleight of Hand | p. 246 |
A Closer Look at Layer 1 | p. 247 |
Cloning the Effects and Adjusting the Keyframe Timeline | p. 249 |
Variations on a Theme | p. 251 |
A Horse of a Different Color | p. 253 |
Up Next | p. 256 |
Advanced Layer Techniques: Masks, Vignettes, and Chroma Key | p. 257 |
The Alpha Channel and a Spotlight on Masking | p. 260 |
Creating a Simple Transparency Mask | p. 260 |
Combining Transparent Masks with Vignettes | p. 264 |
Isolating Portions of the Frame with Transparent Masks | p. 267 |
Intensity Masking: White Reveals while Black Conceals | p. 270 |
Slide 1: a Simple Stencil | p. 270 |
The New Slide 1: a Role Reversal | p. 274 |
Combining Adjustment Effects with Intensity Masking | p. 276 |
Alpha Channel Masks and a Selective Bit of Color | p. 277 |
Working with Multiple Masks | p. 279 |
Life on the Border: Vignetting | p. 281 |
It's Not a Mast, It's a Vignette | p. 283 |
A Final Spotlight on Vignettes and Masking | p. 286 |
Chroma Key: More Than Just a Green Screen | p. 288 |
Setting the Key Color Using an Existing Color | p. 290 |
Adjusting the Effect | p. 291 |
Employing a Traditional Green-Screen Chroma Key | p. 292 |
Fade to Black Reconsidered | p. 294 |
Fast-Moving Clouds: Using Video Clips with Chroma Key | p. 296 |
Working with Video Clips in ProShow | p. 296 |
Setting Up Slide 1's Chroma Key Transparency | p. 298 |
Slide 2: The Same Clouds, but Not the Same Sky | p. 300 |
Up Next | p. 301 |
Templates and Live Shows | p. 303 |
Working with Templates | p. 304 |
Creating and Saving Templates | p. 305 |
Adding Content to Template Layers | p. 308 |
Template Planning and Workflow | p. 309 |
Importing and Exporting Templates | p. 310 |
Modifying and Using Templates | p. 310 |
Producing Live Shows | p. 311 |
Setting Up a Basic Live Show | p. 311 |
Setting Playback Options | p. 314 |
Creating an Executable Live Show | p. 315 |
Creating Advanced Live Shows with Templates | p. 315 |
Setting Fixed Slides and Content | p. 316 |
Adjusting for Vertical and Horizontal Composition | p. 317 |
Setting the Live Show Options and Placing the Content | p. 319 |
The Camera Connection | p. 320 |
Up Next | p. 322 |
Creating Menus and Branding Shows | p. 323 |
Designing Professional Menus and Adding Interactivity | p. 324 |
The Menu Window | p. 325 |
Touring the Tools | p. 326 |
Crafting a Multiple-Show Menu | p. 327 |
Setting Show Titles and Thumbnails | p. 327 |
Creating a Custom Menu | p. 330 |
The Custom Menu-General Tab Options | p. 331 |
The Custom Menu-Thumbnails Tab | p. 333 |
Personalizing Shows with Branding | p. 341 |
Announcing Your Work with an Intro Show | p. 341 |
Using the Branding Tab Options | p. 342 |
Setting a Disc Label and Adding Additional Content | p. 345 |
Adding a Watermark to the Slides | p. 346 |
Up Next | p. 347 |
Getting the Story Out | p. 349 |
Show Output Basics | p. 350 |
Choosing an Output Format and Understanding Common Settings Options | p. 350 |
Output Formats and Files Demystified | p. 355 |
Supported Output File Formats and Media Types | p. 356 |
Photodex Presenter Files and Plug-In | p. 357 |
Selecting Options for Different Output Formats | p. 358 |
DVD/VCD/CD Production | p. 358 |
Autorun CD and Executable Files | p. 362 |
Screen Savers | p. 364 |
Portable Device Output | p. 365 |
Creating Video Output Using an Existing Device Profile | p. 366 |
Creating a Custom Device Profile | p. 366 |
ProShow File Types and File Management | p. 367 |
Show Files | p. 368 |
Menu Files | p. 369 |
Output Files | p. 369 |
Up Next | p. 370 |
ProShow and the Web | p. 371 |
Internet Hosting Basics | p. 371 |
ISPs and Bandwidth | p. 371 |
Copyright Considerations | p. 373 |
Sharing Shows with a Free Photodex Account | p. 374 |
Hosting Presenter Files on Other Websites | p. 377 |
Sending a Show via E-Mail | p. 379 |
Flash FLV Shows and the Web | p. 381 |
The YouTube Connection | p. 382 |
Wrapping Up | p. 383 |
ProShow Keyboard Shortcuts | p. 385 |
Product Comparison Chart | p. 387 |
Index | p. 393 |
Table of Contents provided by Ingram. All Rights Reserved. |
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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.