The Textile Reader

IntroductionTouch1. Mitchell, Victoria (Norwich University College of the Arts, UK). "Textiles, Text and Techne" in Obscure Objects of Desire: Reviewing the Crafts in the Twentieth Century, Tanya Harrod (ed.)2. Hamlyn, Anne (owner of Dress Me, a wardrobe consultancy business, London, UK). "Freud, Fabric, Fetish" in Textile: Journal of Cloth and Culture3. Harper, Catherine (University of Brighton, UK). "Meditation on Translation and Seduction" in 2121: the Textile Vision of Reiko Sudo and Nuno.4. Dinesen, Isak (pen name of Danish author Karen Blixen). "The Blank Page"5. Hill, June (formerly Museums Manager for Bankfield Museum, West Yorkshire, UK). "Sense and Sensibility"6. Bristow, Maxine (University of Chester, UK). "Continuity of Touch: Textiles as Silent Witness"Memory7. Sorkin, Jenni (University of Houston, USA). "Stain: On Cloth, Stigma, and Shame", Third Text Journal8. Wildgoose, Jane (Wildgoose Memorial Library, London, UK). "Considering the Evidence"9. Von Busch, Otto (Artist, Designer and Researcher, Sweden). "Textile Punctum"10. Prichard, Sue (Victoria and Albert Museum, London, UK). "Collecting the Contemporary: Love Will Decide What is Kept and Science Will Decide How it is Kept". Textile: Journal of Cloth & Culture11. Healy, Robyn (RMIT University, Melbourne, Australia). "The Parody of the Motley Cadaver"12. Fenimore Cooper, James. Autobiography of a Pocket HandkerchiefStructure13. Calvino, Italo. "Thin Cities" & "Trading Cities". Invisible Cities14. Beesley, Philip (University of Waterloo, Canada). "Reflexive Textile"15. Zegher, Catherine M. (Museum of Modern Art, New York, USA). "Ouvrage: Knot a Not, Notes as Knots". The Precarious: The Art and Poetry of Cecilia Vicuña16. Showalter, Elaine (Professor Emerita, Princeton University, USA). "Piecing and Writing". The Poetics of Gender. ed. Nancy K. Miller17. Whittaker, Paul (Winchester School of Art, University of Southampton, UK) & Padovani, Clio (Birmingham City University, UK). "Testing Orthodoxy: Collecting, the Gaze and Knitting the Impossible"18. Deleuze, Gilles & Guattari, Felix. "Smooth & Striated Space" A Thousand Plateaus, Capitalism & Schizophrenia, trans. Brian Massumi19. Barnett, Pennina (Goldsmiths, University of London, UK). "Folds, Fragments, Surfaces: Towards a Poetics of Cloth"20. Clark, Judith (London College of Fashion, UK). "Statement VI"Politics21. Danto, Arthur C. (Columbia University, New York, USA). "Weaving as Metaphor and Model for Political Thought" in Sheila Hicks22. Auther, Elissa (University of Colorado, USA). "Fiber Art and the Hierarchy of Art and Craft, 1960-80" Journal of Modern Craft23. Conroy, Diana Wood (University of Wollongong, Australia). "Textiles From the Edge: Tapestry Identity in Australia"24. Bean, Susan S. (Peabody Essex Museum, USA) "Gandhi and Khadi, the Fabric of Indian Independence" in Cloth and Human Experience, edited by Annette B. Weiner and Jane Schneider25. Maharaj, Sarat (Lund University and Malmo Art Academies, Sweden). "Arachne's Genre: Towards Intercultural Studies in Textiles" Journal of Design History26. Shonibare, Yinka (Artist, London, UK). "Setting the Stage: Yinka Shonibare MBE in Conversation with Anthony Downey" in Yinka Shonibare MBE27. Spivak, Gayatri Chakravorty (Columbia University, New York, USA). "Culture" in a Critique of Postcolonial Reason: Towards a History of the Vanishing Present28. Johnson, Pamela (Goldsmiths, University of London, UK). "100% Cotton"29. Bryan-Wilson, Julia (University of California, Irvine, USA). "Lisa Anne Auerbach's Canny Domesticity"30. Parker, Rozsika. The Subversive Stitch: Embroidery and the Making of the Feminine: introduction to new edition31. Gilman, Charlotte Perkins. "The Yellow Wallpaper"Production32. Barber, Elizabeth Wayland (Occidental College, Los Angeles, USA). "A Tradition with Reason" Women's Work: The First 20,000 Years, Women, Cloth and Society in Early Times33. Plant, Sadie (Independent writer, UK). Zeroes and Ones: Digital Women and the New Technoculture.34. Carpenter, Ele (Goldsmiths, University of London, UK). "Open Source Embroidery: Curatorial Facilitations of Material Networks"35. Robertson, Kirsty (University of Western Ontario, Canada). "Embroidery Pirates and Fashion Victims: Textiles, Craft and Copyright, Textile: Journal of Cloth and Culture36. Miller, Melanie (Manchester Metropolitan University, UK). "Mechanical Drawing: the Schiffli Project"37. Von Mertens, Anna (Artist, USA). Artist's Statement38. Earley, Becky (Chelsea College of Art and Design, London, UK). Conference Transcript39. Albers, Anni. "Constructing Textiles" in Anni Albers: Selected Writings on Design40. Lee, Suzanne (Central Saint Martins College of Art and Design, London, UK). BlogUse41. McQuaid, Matilda (Smithsonian Institution's Cooper-Hewitt, National Design Museum, New York, USA). Extreme Textiles: Designing for High Performance42. Gschwadtner, Sabrina (Artist and Writer, New York, USA). "Knitting Is..." The Journal of Modern Craft43. Taylor, Lou (University of Brighton, UK). "De-coding the Hierarchy of Fashion Textiles" in Disentangling Textiles44. Hawthorne, Nathaniel. The Scarlet Letter45. Walker, Alice. "Everyday Use" In Her Own Image: Women Working in the Arts, eds. Elaine Hedges & Ingrid Wendt
Index

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