Unfinished Masterpiece

Although Anita Scott Coleman was a Southwesterner through and through, her work appeared frequently in The Crisis and other leading journals of the Harlem Renaissance. Reflecting and illuminating the movement's major themes, her often awardwinning stories offer delicate and understated commentary on the status and role of black women in black society, and the lot of African Americans in an overwhelmingly white society.

Foreword: Why Anita Scott Coleman?	p. vii
Preface	p. xiii
Acknowledgments	p. xv
Introduction: Anita Scott Coleman's Short Stories and the Harlem Renaissance	p. 3
The Stories
Phoebe and Peter Up North	p. 17
Love's Power	p. 25
Phoebe Goes to a Lecture	p. 31
Billy Settles the Question	p. 37
The Nettleby's New Years	p. 43
Jack Arrives	p. 52
El Tisico	p. 59
"Rich Man, Poor Man-"	p. 63
Pot Luck: A Story True to Life	p. 72
The Hand That Fed	p. 83
The Little Grey House	p. 95
Three Dogs and a Rabbit	p. 107
The Brat	p. 118
Silk Stockings	p. 130
Unfinished Masterpieces	p. 142
"G'long, Old White Man's Gal ..."	p. 147
"White Folks's Nigger"	p. 155
Cross Crossings Cautiously	p. 162
The Eternal Quest	p. 166
Two Old Women A-Shopping Go! A Story of Man, Marriage and Poverty	p. 170
Arizona and New Mexico-The Land of Esperanza	p. 177
References	p. 185
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Unfinished Masterpiece

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