Vasemania : Neoclassical Form and Ornament in Europe; Selections from the Metropolitan Museum of Art

02 When the ancient sites of Herculaneum and Pompeii were excavated in the eighteenth century, the objects found there renewed artistic interest in classicism. Neoclassical style and imagery permeated paintings, sculpture, furniture, and decorative arts of the period, and a central element of design in all these art forms was the vase. This beautiful book is the first to focus on the vase as an artistic and ornamental form in a variety of media. It presents and discusses about one hundred hidden treasures from The Metropolitan Museum of Art’s reserve collection—not only vases but also wine and water urns, knife boxes, ink wells, perfume burners, fabrics, carved paneling, marquetry furniture, silver, works on paper, and paintings—all using the vase motif. Vase imagery ranged from austere to fantastic to romantic, say the authors of this book, and the vase became a new paradigm of artistic achievement and a central symbol of European Neoclassicism.
When the ancient sites of Herculaneum and Pompeii were excavated in the eighteenth century, the objects found there renewed artistic interest in classicism. Neoclassical style and imagery permeated paintings, sculpture, furniture, and decorative arts of the period, and a central element of design in all these art forms was the vase. This beautiful book is the first to focus on the vase as an artistic and ornamental form in a variety of media. It presents and discusses about one hundred hidden treasures from The Metropolitan Museum of Art’s reserve collection—not only vases but also wine and water urns, knife boxes, ink wells, perfume burners, fabrics, carved paneling, marquetry furniture, silver, works on paper, and paintings—all using the vase motif. Vase imagery ranged from austere to fantastic to romantic, say the authors of this book, and the vase became a new paradigm of artistic achievement and a central symbol of European Neoclassicism.