African American Performance and Theater History A Critical Reader

African-American Performance and Theatre History is an anthology ofcritical writings that explores the intersections of race, theater, andperformance in America. Assembled by two of the most respected and prolificscholars in black theater and composed of essays from acknowledged authoritiesin the field (Joe Roach and Genevieve Fabre, among others), this volume isorganized into four sections representative of the ways black theater, drama,and performance past and present interact and enact continuous social, cultural,and political dialogues. The premise behind the book is that analyzingAfrican-American theater and performance traditions offers insight into how racehas operated and continues to operate in American society. The only one-volumecollection of its kind, this volume is likely to become the central referencefor those studying black theater.

Harry J. Elam, Jr. is Christensen Professor for the Humanities, Director of the Introduction to the Humanities, Director of Graduate Studies for Drama, and Director of the Committee on Black Performing Arts at Stanford University. David Krasner is Director of Undergraduate Theater Studies at Yale University, where he teaches theater history, acting, and directing. His book,Resistance, Parody, and Double Consciousness in African-American Theatre 1895-1910, won the Errol Hill award from ASTR.