Analyzing Literature-to-Film Adaptations A Novelist's Exploration and Guide

The introduction of an academic means for critical analysis of film adaptations.

Introduction <br/><p>I - Literature <br/><p>1 - Premeditation <br />2 - On Literary Creation <br />3 - Before the Beginning: Understanding the Study of Literature to Understand the Role of Literature in Our Lives <br />4 - Literary Criticism/Analysis: Putting Theory into Practice <br />5 - The List <br />6 - A First Close Reading - MARIA: The Injustices of Being a Woman <br />7 - Beginning Maria, Beginning Sentences, Beginning Literary Creation <br />8 - Critics on Women's Creations <br />9 - Women Writers and Strategy <br />10 - Deconstruction and Monsters <br />11 - The Multiplicitous Nature of Intertextuality: Maria and Sentences <br/><p>II - 2 <br/><p <br Film a as Novel My - 12 />13 - A Marriage of Media? <br />14 - Attempts at a Screenplay <br/><p <br Film My - of, History Abridged an and with, 15 Film<p - III />16 - Film Production <br />17 - The Elements of Film <br />18 - Film Analysis <br/><p <br - Stayed I've Why It, To Came I Adaptation: Lit2Film 19 Lit2Film<p IV />20 - Literature-to-Film Adaptation: The Fascination Never Ends <br />21 - Ten Observations about Literature-to-Film Adaptation Studies: A Disgruntled Novelist's Perspective <br />22 - Lit2Film Adaptation Analysis: Charting Some New Territory <br />23 - Why Teach Lit2Film Adaptation Analysis? Why Learn It? <br/><p>Appendix A<br />A1 <br />A2 <br />A3 <br />A4 <br />A5 <br />Appendix B<br />B1 <br />Appendix C<br />Sample paper 1<br />Sample paper 2<br />Bibliography <br />Index </p>