An Annotated Anthology of Hymns
, by Watson, J. R.- ISBN: 9780198269731 | 0198269730
- Cover: Hardcover
- Copyright: 8/15/2002
J.R. Watson is Emeritus Professor of English and Emeritus Public Orator of the University of Durham. Twenty years ago he chose for the subject of his Inaugural Lecture, 'The Victorian Hymn'. He was serving at the time on the committee of the Methodist (and Ecumenical) Hymns and Psalms (1983), and later edited, with Kenneth Trickett, the ompanion to Hymns and Psalms (1988). He was a member of the Archbishops' Commission on Church music, and more recently of the editorial committee responsible for the latest revision of Hymns Ancient and Modern, Common Praise (2000). His critical and historical study, The English Hymn, was published by Oxford University Press in 1997 (paperback 1999).
Introduction | 1 | (9) | |||
1. Ancient and Medieval Hymns | 10 | (55) | |||
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11 | (1) | |||
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12 | (1) | |||
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13 | (2) | |||
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15 | (1) | |||
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16 | (2) | |||
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18 | (2) | |||
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20 | (1) | |||
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21 | (2) | |||
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23 | (2) | |||
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25 | (3) | |||
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28 | (2) | |||
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30 | (2) | |||
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32 | (1) | |||
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33 | (1) | |||
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34 | (2) | |||
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36 | (2) | |||
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38 | (1) | |||
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39 | (1) | |||
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40 | (1) | |||
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41 | (2) | |||
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43 | (1) | |||
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44 | (2) | |||
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46 | (1) | |||
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47 | (3) | |||
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50 | (2) | |||
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52 | (3) | |||
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55 | (2) | |||
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57 | (1) | |||
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58 | (2) | |||
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60 | (3) | |||
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63 | (2) | |||
2. The Reformation: England and Germany | 65 | (28) | |||
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66 | (1) | |||
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67 | (2) | |||
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69 | (2) | |||
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71 | (1) | |||
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72 | (1) | |||
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73 | (2) | |||
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75 | (2) | |||
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77 | (2) | |||
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79 | (2) | |||
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81 | (2) | |||
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83 | (3) | |||
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86 | (1) | |||
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87 | (2) | |||
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89 | (2) | |||
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91 | (2) | |||
3. The Seventeenth Century: Anglicans and Puritans | 93 | (28) | |||
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94 | (1) | |||
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95 | (2) | |||
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97 | (2) | |||
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99 | (1) | |||
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100 | (2) | |||
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102 | (2) | |||
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104 | (1) | |||
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105 | (2) | |||
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107 | (2) | |||
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109 | (2) | |||
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111 | (2) | |||
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113 | (1) | |||
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114 | (2) | |||
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116 | (1) | |||
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117 | (2) | |||
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119 | (2) | |||
4. Isaac Watts | 121 | (26) | |||
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123 | (2) | |||
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125 | (1) | |||
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126 | (1) | |||
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127 | (3) | |||
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130 | (2) | |||
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132 | (1) | |||
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133 | (2) | |||
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135 | (2) | |||
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137 | (1) | |||
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138 | (2) | |||
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140 | (2) | |||
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142 | (1) | |||
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143 | (2) | |||
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145 | (2) | |||
5. The Early Eighteenth Century | 147 | (17) | |||
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148 | (1) | |||
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149 | (2) | |||
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151 | (2) | |||
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153 | (1) | |||
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154 | (2) | |||
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156 | (2) | |||
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158 | (1) | |||
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159 | (1) | |||
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160 | (2) | |||
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162 | (2) | |||
6. Charles Wesley | 164 | (41) | |||
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165 | (2) | |||
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167 | (2) | |||
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169 | (1) | |||
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170 | (2) | |||
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172 | (2) | |||
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174 | (3) | |||
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177 | (3) | |||
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180 | (2) | |||
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182 | (4) | |||
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186 | (1) | |||
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187 | (2) | |||
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189 | (2) | |||
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191 | (2) | |||
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193 | (2) | |||
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195 | (3) | |||
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198 | (2) | |||
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200 | (2) | |||
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202 | (1) | |||
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203 | (2) | |||
7. The Later Eighteenth Century | 205 | (30) | |||
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207 | (3) | |||
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210 | (2) | |||
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212 | (2) | |||
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214 | (2) | |||
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216 | (3) | |||
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219 | (1) | |||
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220 | (2) | |||
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222 | (2) | |||
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224 | (2) | |||
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226 | (2) | |||
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228 | (1) | |||
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229 | (2) | |||
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231 | (1) | |||
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232 | (1) | |||
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233 | (2) | |||
8. The Romantic Movement and the Early Nineteenth Century | 235 | (53) | |||
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237 | (2) | |||
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239 | (2) | |||
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241 | (1) | |||
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242 | (2) | |||
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244 | (1) | |||
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245 | (2) | |||
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247 | (1) | |||
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248 | (2) | |||
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250 | (2) | |||
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252 | (1) | |||
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253 | (2) | |||
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255 | (2) | |||
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257 | (1) | |||
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258 | (2) | |||
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260 | (1) | |||
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261 | (1) | |||
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262 | (3) | |||
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265 | (2) | |||
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267 | (3) | |||
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270 | (1) | |||
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271 | (2) | |||
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273 | (2) | |||
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275 | ||||
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270 | (9) | |||
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279 | (2) | |||
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281 | (2) | |||
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283 | (2) | |||
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285 | (1) | |||
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286 | (2) | |||
9. The High Victorian Period | 288 | (70) | |||
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289 | (1) | |||
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290 | (1) | |||
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291 | (2) | |||
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293 | (2) | |||
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295 | (2) | |||
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297 | (2) | |||
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299 | (1) | |||
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300 | (2) | |||
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302 | (1) | |||
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303 | (2) | |||
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305 | (1) | |||
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306 | (2) | |||
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308 | (2) | |||
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310 | (2) | |||
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312 | (1) | |||
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313 | (1) | |||
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314 | (2) | |||
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316 | (1) | |||
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317 | (2) | |||
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319 | (2) | |||
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321 | (2) | |||
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323 | (1) | |||
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324 | (1) | |||
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325 | (2) | |||
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327 | (1) | |||
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328 | (2) | |||
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330 | (2) | |||
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332 | (1) | |||
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333 | (2) | |||
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335 | (1) | |||
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336 | (2) | |||
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338 | (2) | |||
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340 | (2) | |||
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342 | (2) | |||
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344 | (2) | |||
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346 | (2) | |||
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348 | (2) | |||
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350 | (2) | |||
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352 | (1) | |||
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353 | (1) | |||
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354 | (1) | |||
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355 | (1) | |||
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356 | (2) | |||
10. Nineteenth- and Early Twentieth-Century American Hymns | 358 | (23) | |||
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359 | (1) | |||
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360 | (1) | |||
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361 | (1) | |||
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362 | (2) | |||
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364 | (1) | |||
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365 | (2) | |||
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367 | (1) | |||
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368 | (2) | |||
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370 | (1) | |||
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371 | (2) | |||
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373 | (2) | |||
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375 | (1) | |||
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376 | (1) | |||
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377 | (1) | |||
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378 | (1) | |||
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379 | (2) | |||
11. The Early Twentieth-Century | 381 | (15) | |||
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382 | (1) | |||
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383 | (2) | |||
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385 | (1) | |||
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386 | (1) | |||
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387 | (1) | |||
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388 | (2) | |||
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390 | (1) | |||
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391 | (1) | |||
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392 | (1) | |||
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393 | (1) | |||
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394 | (2) | |||
12. The Mid-Twentieth Century, and the Hymn Explosion | 396 | (39) | |||
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397 | (1) | |||
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398 | (1) | |||
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399 | (1) | |||
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400 | (1) | |||
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401 | (1) | |||
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402 | (2) | |||
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404 | (1) | |||
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405 | (1) | |||
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406 | (2) | |||
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408 | (1) | |||
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409 | (1) | |||
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410 | (1) | |||
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411 | (1) | |||
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412 | (1) | |||
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413 | (1) | |||
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414 | (1) | |||
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415 | (1) | |||
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416 | (1) | |||
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417 | (1) | |||
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418 | (1) | |||
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419 | (1) | |||
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420 | (1) | |||
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421 | (2) | |||
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423 | (1) | |||
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424 | (1) | |||
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425 | (2) | |||
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427 | (1) | |||
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428 | (2) | |||
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430 | (1) | |||
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431 | (1) | |||
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432 | (1) | |||
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433 | (2) | |||
Copyright Acknowledgements | 435 | (2) | |||
Author Index | 437 | (3) | |||
Index of Composers and Arrangers | 440 | (3) | |||
Index of Hymns | 443 | (4) | |||
Index of Tunes | 447 |
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