The Art of Comic Book Drawing More than 100 drawing and illustration techniques for rendering comic book characters and storyboards

• Drawing basics
• Inking techniques
• Creating characters
• Drawing bodies in motion
• Designing characters
• Creating battle scenes
• Adding speech
• Developing a story segment

Maury Aaseng has always been excited about drawing and art. After graduating with a BFA in graphic design from the University of Minnesota—Duluth, Maury began an illustration career, and his freelance work has spanned a variety of subject matter and illustration styles, including cartooning, medical illustration, natural sciences, patient education, and watercolor. An avid nature enthusiast, Maury lives in northern Minnesota with his wife and two children. Visit www.mauryillustrates.com and maurymedicalart.com.

Bob Berry has been an artist, illustrator, and character and graphic designer for more than 15 years. While the mainstay of Bob Berry's work is for children's publishing and textbooks, Bob has also provided art and illustration for CDs, children's games, toy packaging, and more. Visit bobberryillustration.com.

Jim Campbell is a professional comic-book letterer, one-time writer (perhaps again in the future) and occasional artist—although his enthusiasm rather outstrips his actual ability. He knows more about print production than mortal man was meant to know and has scanned more images than you’ve had hot dinners. Unless you’re 90 years old.

Dana Muise is an artist working in San Francisco for the video game and TV cartoon industry. The only thing he likes better than space monsters is teaching people how to draw them. He enjoys drawing with his wife, Leigh, a talented artist, and daughter, Eva, his favorite little monster of all. Visit www.danamuise.net. 

Joe Oesterle is an award-winning writer and illustrator. He has worked as the Art Director of the Teenage Mutant Ninja Turtle apparel division and performed double-duty as Art Director and Senior Editor at National Lampoon. His work has appeared on television, radio, books, magazines, and websites. Joe is especially proud of the fact that a humorous animated short he wrote, directed, and voiced has been on display at the Smithsonian Institution since 2001. Visit www.joeoportfolio.com.

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