Art History and Its Institutions: The Nineteenth Century

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ISBN: 9780203995099 | 0203995090
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Copyright: 6/27/2002

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Summary

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Art History and Its Institutions focuses on the institutional discourses that shaped and continue to shape the field from its foundation in the nineteenth century.

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Putting Art History In Its Place
Art History and Modernism
Hearing the Unsaid: Art History, Museology, and the Composition of the Self
From Boullee to Bilbao: The Museum as Utopian Space
Marburg, Harvard and Purpose-Built Architecture for Art History
Viollet-le-Duc and Taine at the Ecole des Beaux Arts: On the First Professorship of Art History in France
Colonizing Culture: The Origins of Art History in Australia
Instituting A Canon: Placing The Center And Margins Of Art History
Deep Innovation and Mere Eccentricity: Six Case Studies of Innovation in Art History
The Taste of Angels in the Art of Darkness: Fashioning the Canon of African Art Christopher
Tradesmen as Scholars: Interdependencies in the Study and Exchange of Art
How Canons Disappear: The Case of Henri Regnault
Using Art History: The Louvre and its Public Persona, 1848-52
Silent Movies: On Excluding the Ethnographic Subject from the Discourse of Art
Art History on the Academic Fringe: Taine's Philosophy of Art
The Practice Of Art History: Discourse And Method As Institution
"For Connoisseurs": The Burlington Magazine, 1903-1911
Photographic Perspectives: Photography and the Institutional Formation of Art History
Instituting Genius: The Formation of Biographical Art History in France
A Preponderance of Practical Problems: The History of Art in the United States Between 1886 and 1888
Emancipation and the Freed in American Sculpture: Race, Representation and the Beginnings of African-American Art History
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Art History and Its Institutions: The Nineteenth Century

Summary

Table of Contents

Supplemental Materials