Introductory Essay: "We May Imagine It": Living with Photographic Reproduction at the End of Our Century
p. 3
The "Ruland/Raphael Collection"
p. 37
Plane Surfaces and Solid Bodies: Reproducing Three-Dimensional Art in the Nineteenth Century
p. 59
The Use of Photography by Nineteenth-Century Art Historians
p. 89
Documents in the History of Visual Documentation
p. 123
Windows to the American Past: Lantern Slides as Historic Evidence
p. 133
Connoisseurship and Photography: The Methodology of Mojmir Frinta
p. 153
A Slide Collection of Constable's Paintings: The Art Historian's Need for Visual Documentation
p. 179
Thoughts of an Art Historian/Photographer on the Relationship of His Two Disciplines
p. 217
Photography as an Aid in Restoration: The Wall Paintings at Horyu-ji
p. 249
Old Photography and the Yuanmingyuan
p. 263
Walter Hege (1893-1955): "Race Art Photographer" and/or "Master of Photography"?
p. 283
Rossetti's Reputation: A Study of the Dissemination of His Art through Photographs
p. 317
Bunched Images Begetting Ideas
p. 349
Contributors
p. 389
Index
p. 393
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