Nigel Harkness is Senior Lecturer in French at Queen's University Belfast. His research interests focus on George Sand and women's writing in nineteenth-century France. He is the author of Men of their Words: The Poetics of Masculinity in George Sand's Fiction (2007) and co-editor of Dix-Neuf, the journal of the Society of Dix-Neuviémistes. Marion Schmid is Reader in French at the University of Edinburgh. She is the author of Chantal Akerman (2010), Proust dans la décadence (2008), Proust at the Movies (2005; co-authored with Martine Beugnet) and Processes of Literary Creation: Flaubert and Proust (1998).
Acknowledgements
p. xi
Abbreviations
p. xiii
Introduction
p. 1
Mediations
p. 15
Proust and the Carlylean Mediation of Dante
p. 17
Cryptage et décryptage de la présence de Balzac dans lÆécriture dÆA la recherche du temps perdu
p. 39
Proust, Flaubert, et Flaubert avant Flaubert
p. 49
Proust et Robert de Montesquiou: décadence, classicisme, originalité
p. 65
Cultures of Modernity
p. 81
Marcel Proust: Cultural Historian
p. 83
Proust, Poet of the Ordinary
p. 97Cynthia Ga
rue de Provence: Siegfried BingÆs Hub of Art Nouveau Creativity and its æRayonnementÆ in the World of Proust
p. 113
On the Nation and its Culture: Proust, Barrès and Daniel Halévy
p. 129
Ontologies of the Modern
p. 149
ProustÆs Narrator: Travels in the Space-Time Continuum
Ut sculptura poesis? Literary-Sculptural Intersections in Balzac and Proust
p. 211
From Maeterlinck to Masks: Theatre and Mise en Scène in the Art of Fernand Khnopf f and James Ensor
p. 237
The Language of Politics in Symbolist and Decadent Polemic: From Le Décadent to the École romane
p. 259
Michaux and Magritte
p. 283
Postface
p. 301
Hommage à Richard Bales, pionnier des études proustiennes
p. 305
Notes on Contributors
p. 315
Index
p. 321
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