Austen, Actresses and Accessories Much Ado About Muffs

When Jane Austen was a teenager in the late 1780's several portraits of well-known actresses holding muffs were painted by a variety of famous artists. Looking at these paintings along with satiric prints of muffs that appeared simultaneously in the public realm, the author explores how the muff functions in these images as a sign of wealth and style and as a sign of crass accumulation and overt sexuality. Turning to Austen, she examines how this vexed cultural dynamic of female celebrity is reflected in Austen's depictions of muffs in her novels. The final chapter considers James Stanier Clarke's unauthenticated sketch of Austen dressed in a stylish outfit and holding a muff. Austen's connection to the muff is a provocative invitation to re-envision her awareness of actresses, celebrity culture, Regency style and accessories. Ultimately, this book demonstrates that traditional ways of imagining Austen may be vastly different from how she might have appeared to her contemporaries.

Laura Engel is an Associate Professor in the English Department at Duquesne University where she specializes in eighteenth-century British Literature and Theater. She is the author of Fashioning Celebrity: Eighteenth-Century British Actresses and Strategies for Image Making (2011) and co-editor with Elaine McGirr of Stage Mothers: Women, Work, and the Theater 1660-1830 (2014).

Acknowledgements
Introduction: Much Ado About Muffs
1. Around 1787: Austen's Volume the First, the Elizas, Private Theatricals, and Muffs
2. Restless Luxuries: Muffs in Northanger Abbey and Sense and Sensibility
3. Jane Austen as Fashion Plate: Musings on Muffs
Epilogue: The Afterlife of Muffs
Bibliography
Index