The Mark of Autobiograpby: postmodernism Autobiography, and Genre
p. 3
Notes
p. 14
Adding to My Life
p. 19
Adding to My Life
p. 21
""The Thing That's Most Exciting Is Contradictory Versions""
p. 31
The politics of Genre in Carmen Martín Gaite's: Back Room
p. 33
Notes
p. 50
References
p. 52
policing Truth: Confession, Gender, And Autobiographical Authority
p. 54
Notes
p. 77
Autobiograbbical Voices (1, 2, 3) and Mosaic Memory Experimental Sondages in the (post)modern World
p. 79
References
p. 126
postmodernism and the Autobiographical Subject Reconstructing the ""Other""
p. 130
Notes
p. 162
References
p. 164
A Geography of Conversion: Dialogical Boundaries of Self in Antin's: promised Land
p. 167
Notes
p. 185
References
p. 187
""I Am Truly Becoming a Specter""
p. 189
posing: Autobiography and The Subject of photography
p. 191
Notes
p. 210
References
p. 211
plains Indian Names and ""The Autobiographical Act""
p. 212
Notes
p. 237
References
p. 238
Nuptial Interruptions: Autobiographical Boundaries In Wordsworth's ""Farewell""
p. 240
Notes
p. 260
References
p. 263
Identity's Body
p. 266
Notes
p. 288
References
p. 290
""An Appearance Walking in a Forest the Sexes Burn""Autobiography and the Construction Of the Feminine Body
p. 293
Notes
p. 311
References
p. 313
Notes on Contributors
p. 317
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