PART I THE EMERGENCE OF THE FREE DRAWINGS (Firing of the Imagination)
What the Eye Likes
3
(6)
Being Separate and Being Together
9
(6)
Outline and the Solid Earth
15
(7)
The Plunge into Colour
22
(4)
The Necessity of Illusion
26
(9)
PART II THE CONTENT OF THE FREE DRAWINGS (Crucifying the Imagination)
Monsters Within and Without
35
(10)
Disillusion and Hating
45
(10)
Preserving What One Loves
55
(16)
PART III THE METHOD OF THE FREE DRAWINGS (Incarnating the Imagination)
Reciprocity and Ordered Freedom
71
(6)
Refusal of Reciprocity
77
(10)
Ideals and the Fatal Prejudice
87
(8)
Rhythm and the Freedom of the Free Drawings
95
(11)
The Concentration of the Body
106
(9)
PART IV THE USE OF THE FREE DRAWINGS (The Image as Mediator)
The Role of the Medium
115
(7)
The Role of Images
122
(7)
PART V THE USE OF PAINTING
Painting and Living
129
(8)
Painting as Making Real
137
(30)
Postscript: What it Amounts To
145
(3)
APPENDIX
I. The Ordering of Chaos
148
(1)
II. The Anal Aspect of the Parrot's Egg
149
(3)
III. Infantile Prototypes of Creativity
152
(1)
IV. Changes in the Sense of Self
153
(2)
V. Rhythm Relaxation and the Orgasm
155
(2)
VI. Painting and Symbols
157
(3)
VII. The Two Kinds of Thinking
160
(2)
VIII. Painting and Imitation
162
(1)
IX. A Place for Absent-mindedness
163
(4)
Bibliography to First Edition
167
(2)
Bibliography to Second Edition
169
(2)
Description of Original Drawings
171
(2)
Index
173
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