Benvenuto Cellini : Sexuality, Masculinity, and Artistic Identity in Renaissance Italy

Celebrated goldsmith and sculptor of the Italian Renaissance, Benvenuto Cellini (1500-71) fits the conventional image of a Renaissance man: a skillful virtuoso and courtier; an artist who worked in marble, bronze, and gold; a writer and poet. However, in his life and literary oeuvre, the notorious artist aligned himself with the transgressive and oppositional voices of his day. This book, the first biographical study of Cellini available in English, uses the methodologies of New Historicism, social history, and gender and sexuality studies to situate the artist and his works in relation to a series of early modern cultural discourses and practices, including sodomy, law, honor, magic, and masculinity.

Margaret A. Gallucci, a scholar of the Italian Renaissance, earned a Ph.D. at the University of California, Berkley. A Fulbright scholar, she has held postdoctoral fellowships at the Italian Academy at Columbia University and most recently at Villa I Tatti, Harvard University's Center for Italian Renaissance Studies in Florence.