Blackfriars in Early Modern London Theater, Church, and Neighborhood

Blackfriars: Theater, Church, and Neighborhood in Early Modern London is a cultural history of an urban enclave best known in the later sixteenth and seventeenth centuries for the incongruous juxtaposition of playing and godly preaching. As the former site of one of London's great religious houses, the post-Reformation Blackfriars was a Liberty free from mayoral control. The legal exemptions and privileges enjoyed by its residents helped attract an unusual mix of groups and activities. Zealous preachers and puritan parishioners mingled with playhouse workers and playgoers, as well as with the immigrant 'strangers' who settled here. The book focuses on local playhouse-church relations and asks how a theatrical culture was able to flourish in a parish dominated by committed puritans. Physically, the church of St Anne's and the playhouse were virtually next-door, but ideologically they seemed poles apart. Yet despite the occasional efforts of some residents to close the playhouse, godly religion and commercial playing managed to coexist. In explanation, the book examines the conflicting economic and ideological priorities of residents and the overriding desire to promote order and neighborliness. More provocatively, I argue that the Blackfriars pulpit and stage could be mutually reinforcing sites of performance. Preachers as well as playwrights exploited the Liberty's vexed relations with authority to air satirical and dissident views of the established church and state. By examining Blackfriars sermons and plays side-by-side, the book reveals a synergy between two institutions usually considered implacable enemies.

Christopher Highley, Professor of English, The Ohio State University, USA

Christopher Highley is a Professor of English at Ohio State University. He is the author of Catholics Writing the Nation in Early Modern Britain and Ireland (OUP, 2008)

Part I: Contexts
Introduction
1. Precinct: Built Environment and Social Mix
2. Liberty: Governance, Politics, and Identity
3. Parish: Religion
Part II: Theater and Church
4. Beginnings: Theater and Recreation in the Blackfriars before the 1590s
5. Early Troubles: From the 1596 Petition to Ben Jonson at the Second Blackfriars Playhouse
6. 'Glancing or Girding at the Present Government': Dissident Plays and Sermons, 1600-1609
7. Living with a Playhouse: Integration and Opposition, 1608-1619
Part III: Topical Case Studies
8. 'Sober, Scurvy [and] Precise Neighbours': Ben Jonson, the Blackfriars, and The Alchemist
9. Remembering the Catholic Blackfriars
10. Gouge, the Spanish Match, and Blackfriars 'Spanish' Plays
Epilogue