Gob's Grief

The literary debut of an electrifying talent that gives the historical novel an exhilarating dose of originality, style, and visionary energy. Gob's Griefrecounts the lives of Gob and Tomo Woodhull, fictional twin sons of the real Victoria Woodhull, the nineteenth-century proto-feminist. In August of 1863, Tomo, who is eleven years old, runs off to the Civil War and dies in his first battle. Gob grows up in a profound state of grief, and by the time that he's an adult studying to be a doctor in New York City, he has begun to make real a dream to build a machine that might bring Tomoindeed, all the war deadback to life. As Gob's obsessions deepen, we are taken from the battlefields at Chickamauga Creek to the society balls of New York, from innocent childhoods in Homer, Ohio, to the building of the Brooklyn Bridge; and as the machine grows, so does the amazing cast of real and imagined characters: Walt Whitman, ministering lovingly to the Civil War wounded; Mrs. Woodhull and her sister Tennessee, doing business on Wall Street and riding churning tides of scandal; Gob's friend Will Fie, a war veteran who builds a house from glass images of suffering and death; Maci Trufant, Victoria Woodhull's protege and Gob's great love; and even unnatural Pickie Beecher, a child who seems to float sinisterly between the living and the dead. These disparate lives come together in support of Gob's endeavor, but the abolition of death and the success of his machine may come at a price more hideous and awful than any of them can know. Both convincing in its portrayal of the collective madness America went through after the carnage of the Civil War, and otherworldly in its contemplation of obsessive grief and longing,Gob's Griefis at once an announcement of a major talent, and an extraordinary achievement in literary art.

Chris Adrian<b> </b>was born in Washington, D.C. A graduate of the Iowa Writers’ Workshop, he is currently a medical student in Virginia. Part of this novel first appeared in <i>The New Yorker</i> under the title “Every Night for a Thousand Years” and was subsequently collected in <i>Best American Short Stories 1998</i>. His fiction has also appeared in <i>The Paris Review</i>, <i>Zoetrope</i>, <i>Ploughshares</i>, and <i>Story</i>. <br>