An anthology that questions the roles gender plays in creating and marketing a great American musical form
Foreword: Muddying the Clear Water
vii
The Dubious Transparency of Country Music
DAVID SANJEK
Acknowledgments
xvii
Introduction
xix
KRISTINE M. McCUSKER AND DIANE PECKNOLD
Bibliography and Further Reading
xxiv
"Bury Me Beneath the Willow"
3
(21)
Linda Parker and Definitions of Tradition on the National Barn Dance, 1932-1935
KRISTINE M. McCUSKER
"Spade Doesn't Look Exactly Starved"
24
(20)
Country Music and the Negotiation of Women's Domesticity in Cold War Los Angeles
PETER LA CHAPELLE
Charline Arthur
44
(15)
The (Un) Making of a Honky-Tonk Star
EMILY C. NEELY
I Don't Think Hank Done It That Way
59
(27)
Elvis, Country Music, and the Reconstruction of Southern Masculinity
MICHAEL BERTRAND
"I Wanna Play House"
86
(21)
Configurations of Masculinity in the Nashville Sound Era
DIANE PECKNOLD
Patsy Cline's Crossovers
107
(25)
Celebrity, Reputation, and Feminine Identity
JOLI JENSEN
Dancing Together
132
(23)
The Rhythms of Gender in the Country Dance Hall
JOCELYN R. NEAL
Between Riot Grrrl and Quiet Girl
155
(23)
The New Women's Movement in Country Music
BEVERLY KEEL
Going Back to the Old Mainstream
178
(18)
No Depression, Robbie Fulks, and Alt.Country's Muddied Waters
BARBARA CHING
Postlude
196
(3)
CHARLES WOLFE
Notes
199
(25)
Contributors
224
(3)
Index
227
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