Celtic Modern Music at the Global Fringe

This resource offers an opportunity to reflect critically on some of the insistent 'othering' that has accompanied much cultural production in and on the Celtic World, and that have prohibited serious critical engagement with what are sometimes described as the 'traditional' and 'folk' music of Europe.

Introduction: Martin Stokes and Philip V. Bohlman

1

(26)

1 Shared Imaginations: Celtic and Corsican Encounters in the Soundscape of the Soul

27

(46)

Caroline Bithell

2 Celtic Australia: Bush Bands, Irish Music, Folk Music, and the New Nationalism

73

(20)

Graeme Smith

3 Diasporic Legacies: Place, Politics, and Music among the Ottawa Valley Irish

93

(26)

Johanne Devlin Trew

4 Policing Tradition: Scottish Pipe Band Competition and the Role of the Composer

119

(26)

Jerry Cadden

5 Tradition and Imaginary: Irish Traditional Music and the Celtic Phenomenon

145

(26)

Scott Reiss

6 "Home Is Living Like a Man on the Run": John Cale's Welsh Atlantic

171

(30)

Dai Griffiths

7 The Apollos of Shamrockery: Traditional Musics in the Modern Age

201

(18)

Fintan Vallely

8 "Celtitude," Professionalism, and the Fest Noz in Traditional Music in Brittany

219

(38)

Desi Wilkinson

9 "You Cannae Take Your Music Stand into a Pub": A Conversation with Stan Reeves about Traditional Music Education in Scotland

257

(18)

Peter Symon

10 Afterword: Gaelicer Than Thou

275

(10)

Timothy D. Taylor

Index

285

(6)

About the Contributors

291

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Celtic Modern Music at the Global Fringe

Summary

Table of Contents

Supplemental Materials