Colonial Project, National Game

In this engrossing cultural history of baseball in Taiwan, Andrew D. Morris traces the game's social, ethnic, political, and cultural significance since its introduction on the island more than one hundred years ago. Introduced by the Japanese colonial government at the turn of the century, baseball was expected to "civilize" and modernize Taiwan's Han Chinese and Austronesian Aborigine populations. After World War II, the game was tolerated as a remnant of Japanese culture and then strategically employed by the ruling Chinese Nationalist Party (KMT) while also enthroned by Taiwanese politicians, cultural producers, and citizens alike as their national game. In considering baseball's cultural and historical implications, Morris deftly addresses a number of societal themes crucial to understanding modern Taiwan, the question of Chinese "reunification," and East Asia as a whole.Colonial Project, National Gametranscends the limits of sports histories in its investigations of the many intersections between discourses of colonialism, ethnicity, gender, the body, nationalism, the cold war, globalization, and postcolonialism in modern Taiwan.