A Companion to Digital Art

• Showcases the critical and theoretical approaches in this fast-moving discipline
• Explores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent relationships with established institutions
• Provides a platform for the most influential voices shaping the current discourse surrounding digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists
• Tackles digital art’s primary practical challenges – how to present, document, and preserve pieces that could be erased forever by rapidly accelerating technological obsolescence
• Up-to-date, forward-looking, and critically reflective, this authoritative new collection is informed throughout by a deep appreciation of the technical intricacies of digital art

List of Figures viii

Notes on Contributors xi

Acknowledgments xix

Introduction: From Digital to Post‐Digital—Evolutions of an Art Form 1
Christiane Paul

Part I Histories of Digital Art 21

1 The Complex and Multifarious Expressions of Digital Art and Its Impact on Archives and Humanities 23
Oliver Grau

2 International Networks of Early Digital Arts 46
Darko Fritz

3 Art in the Rear‐View Mirror: The Media‐Archaeological Tradition in Art 69
Erkki Huhtamo

4 Proto‐Media Art: Revisiting Japanese Postwar Avant‐garde Art 111
Machiko Kusahara

5 Generative Art Theory 146
Philip Galanter

6 Digital Art at the Interface of Technology and Feminism 18
Jennifer Way

7 The Hauntology of the Digital Image 203
Charlie Gere

8 Participatory Art: Histories and Experiences of Display 226
Rudolf Frieling

Part II Aesthetics of Digital Art 247

9 Small Abstract Aesthetics 249
Max Bense

10 Aesthetics of the Digital 265
Sean Cubitt

11 Computational Aesthetics 281
M. Beatrice Fazi and Matthew Fuller

12 Participatory Platforms and the Emergence of Art 297
Olga Goriunova

13 Interactive Art: Interventions in/to Process 310
Nathaniel Stern

14 The Cultural Work of Public Interactives 330
Anne Balsamo

Part III Network Cultures: The Politics of Digital Art 353

15 Shockwaves in the New World Order of Information and Communication 355
Armin Medosch

16 Critical Intelligence in Art and Digital Media 384
Konrad Becker

17 The Silver Age of Social Media: Nettime.org and the Avant‐Garde of the ’90s 400
McKenzie Wark

18 Art in the Corporatized Sphere: The Impact of Commercial Social Media on Online Artistic Practice 413
Kyle Chayka

19 Artistic Visualization 426
Lev Manovich

20 Critical Play: The Productive Paradox 445
Mary Flanagan

Part IV Digital Art and the Institution 461

21 Contemporary Art and New Media: Digital Divide or Hybrid Discourse? 463
Edward A. Shanken

22 One of Us!: On the Coupling of New Media Art and Art Institutions 482
Richard Rinehart

23 The Digital Arts In and Out of the Institution—Where to Now? 494
Sarah Cook with Aneta Krzemień Barkley

24 The Nuts and Bolts of Handling Digital Art 516
Ben Fino‐Radin

25 Trusting Amateurs with Our Future 537
Jon Ippolito

26 Enabling the Future, or How to Survive FOREVER 553
Annet Dekker

27 Exhibition Histories and Futures: The Importance of Participation and Audiences 575
Beryl Graham

Index 597

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.