A Companion to Emily Dickinson

This companion to America's greatest woman poet showcases the diversity and excellence that characterize the thriving field of Dickinson studies.

• Covers biographical approaches of Dickinson, the historical, political and cultural contexts of her work, and its critical reception over the years
• Considers issues relating to the different formats in which Dickinson's lyrics have been published ? manuscript, print, halftone and digital facsimile
• Provides incisive interventions into current critical discussions, as well as opening up fresh areas of critical inquiry
• Features new work being done in the critique of nineteenth-century American poetry generally, as well as new work being done in Dickinson studies
• Designed to be used alongside the Dickinson Electronic Archives, an online resource developed over the past ten years

Notes on Contributors viii

Abbreviations of Frequently Cited Sources xv

Acknowledgments xvi

Introduction 1
Martha Nell Smith and Mary Loeffelholz

Part I: Biography – the Myth of “the Myth” 9

1 Architecture of the Unseen 11
Aife Murray

2 Fracturing a Master Narrative, Reconstructing “Sister Sue” 37
Ingrid Satelmajer

3 Public, Private Spheres: What Reading Emily Dickinson’s Mail Taught me about Civil Wars 58
Martha Nell Smith

4 “Pretty much all real life”: The Material World of the Dickinson Family 79
Jane Wald

Part II: The Civil War – Historical and Political Contexts 105

5 “Drums off the Phantom Battlements”: Dickinson’s War Poems in Discursive Context 107
Faith Barrett

6 The Eagle’s Eye: Dickinson’s View of Battle 133
Renée Bergland

7 “How News Must Feel When Traveling”: Dickinson and Civil War Media 157
Eliza Richards

Part III: Cultural Contexts – Literature, Philosophy, Theology, Science 181

8 Really Indigenous Productions: Emily Dickinson, Josiah Holland, and Nineteenth-Century Popular Verse 183
Mary Loeffelholz

9 Thinking Dickinson Thinking Poetry 205
Virginia Jackson

10 Dickinson and the Exception 222
Max Cavitch

11 Dickinson’s Uses of Spiritualism: The “Nature” of Democratic Belief 235
Paul Crumbley

12 “Forever – is Composed of Nows –”: Emily Dickinson’s Conception of Time 258
Gudrun M. Grabher

13 God’s Place in Dickinson’s Ecology 269
Nancy Mayer

Part IV: Textual Conditions: Manuscripts, Printings, Digital Surrogates 279

14 Auntie Gus Felled It New 281
Tim Morris

15 Reading Dickinson in Her Context: The Fascicles 288
Eleanor Elson Heginbotham

16 The Poetics of Interruption: Dickinson, Death, and the Fascicles 309
Alexandra Socarides

17 Climates of the Creative Process: Dickinson’s Epistolary Journal 334
Connie Ann Kirk

18 Hearing the Visual Lines: How Manuscript Study Can Contribute to an Understanding of Dickinson’s Prosody 348
Ellen Louise Hart, with Sandra Chung

19 “The Thews of Hymn”: Dickinson’s Metrical Grammar 368
Michael L. Manson

20 Dickinson’s Structured Rhythms 391
Cristanne Miller

21 A Digital Regiving: Editing the Sweetest Messages in the Dickinson Electronic Archives 415
Tanya Clement

22 Editing Dickinson in an Electronic Environment 437
Lara Vetter

Part V: Poetry & Media – Dickinson’s Legacies 453

23 “Dare you see a soul at the White Heat?”: Thoughts on a “Little Home-keeping Person” 455
Sandra M. Gilbert

24 Re-Playing the Bible: My Emily Dickinson 462
Alicia Ostriker

25 “For Flash and Click and Suddenness–”: Emily Dickinson and the Photography-Effect 471
Marta L. Werner

26 “Zero to the Bone”: Thelonious Monk, Emily Dickinson, and the Rhythms of Modernism 490
Joshua Weiner

Index of First Lines 496

Index of Letters of Emily Dickinson 500

Index 503

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