A Companion to Film Theory

This volume of specially commissioned work by experts in the field of film studies provides a comprehensive overview of the field. Its international and interdisciplinary approach will have a broad appeal to those interested in this multifaceted subject. This major film theory collection: bull; bull;Represents material under a variety of headings, including class, race, gender, queer theory, nation, stars, ethnography, authorship, and spectatorship bull;Offers an international approach to the subject, including coverage of topics such as genre, image, sound, editing, postmodernism, culture industries, early cinema, classical Hollywood, and TV relations and technology bull;Includes concise chapter-by-chapter accounts of the background and current approaches to each topic, followed by a prognostication on the future bull;Considers cinema studies in relation to other forms of knowledge, such as critical studies, anthropology, and literature. A Companion to Film Theory provides the ideal reference source for students of film theory in departments of cultural studies, media studies, literature, and sociology.

Toby Miller is Professor in the Cinema Studies Department at New York University. He is the author or editor of a wide range of work in cultural studies, including A Companion to Cultural Studies (Ed. Blackwell Publishing, 2001), Technologies of Truth (1998) and (with Alec McHoul) Popular Culture and Everyday Life (1998). He is also co-editor of the journal Social Text and (with Robert Stam) co-editor of Film and Theory: An Anthology (Blackwell Publishing, 2000).

Robert Stam is Professor in the Cinema Studies Department at New York University. His many books include Film Theory: An Introduction (Blackwell Publishing, 1999); Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture (1997); Unthinking Eurocentrism: Multiculturalism and the Media, with Ella Shohat (1994), which won the Katherine Singer Kovocs “Best Film Book Award”; and Subversive Pleasures: Bakhtin, Cultural Criticism, and Film (1992). He is also co-editor (with Toby Miller) of Film and Theory: An Anthology (Blackwell Publishing, 2000).