Creating Digital Performance Resources: A

Creating and Using Digital Performance Resources in the Arts and Humanities Data Service Guides to Good Practice series is a basic guide to good practice for using electronic information and resources in the performing arts, with lots of pointers to specialised information.

List of Contributors

v

Acknowledgements

vii

Introduction - Dramatic Forays into IT: working computers with a broom handle

1

(8)

Barry Smith

IT and Live Performance

1

(2)

Using IT

3

(2)

IT and the Performing Arts

5

(4)

Digital Resources in Performance Studies

9

(56)

Running a web site - How to design, build and maintain a database-powered web site

9

(1)

Barry Russell

Doing it ourselves

9

(3)

Planning for growth

12

(1)

Software

13

(2)

The bare bones

15

(1)

Looking for success

16

(1)

Creating a multipurpose research tool for the study of King Lear

17

(1)

Christie Carson

Planning and Design

17

(6)

Research

23

(3)

Production

26

(3)

Post Production

29

(1)

Conclusions

30

(3)

Approaches to building digital archives

33

(1)

Barry Smith

Origins

33

(3)

Getting help

36

(1)

The Live Art Archive

37

(2)

Searching

39

(1)

Maintenance

39

(2)

Conclusions

41

(2)

Scholarly Skywriting: Sound Journal and Other Projects

43

(1)

Alan Beck

Setting up Sound Journal

43

(5)

Sound Journal - Feedback

48

(1)

Sound Journal into the Future

49

(2)

Digital Dialogues

51

(1)

David Hughes

What is Digital Dialogues?

51

(7)

The Collaborative Learning Environment

58

(1)

Online seminars

58

(2)

Student Engagement and Motivation

60

(1)

Key and Transferable Skills

61

(1)

Evaluation

61

(1)

Preliminary Conclusions

62

(3)

Digital Resources in Performance Practice

65

(21)

IT and the Audio-Visual Essay

65

(1)

Steve Dixon

Making it Easier

65

(1)

Deciding on a Dissemination Format

66

(1)

Utilising Video in digital Form

67

(1)

Producing Chamleons 2 CD-ROM

68

(2)

Constructing AV-Essays

70

(1)

Case Study of a Section: The Double

71

(5)

A New Critical Palette

76

(1)

Shifting Grounds: Internet-based live performance work

77

(1)

Sophia Lycouris

Introduction

77

(2)

What is the work?

79

(3)

What the work does

82

(2)

How technology affects experience

84

(1)

Conclusion

85

(1)

Glossary and Bibliography

86

(1)

Glossary

86

(31)

Mark Batty

Bibliography and further reading

117

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Creating Digital Performance Resources: A Guide to Good Practice

Summary

Table of Contents

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