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- ISBN: 9780415062695 | 0415062691
- Cover: Nonspecific Binding
- Copyright: 12/6/1993
Cross-dressing in theatrical performance has generated a lively, controversial debate in the last decade. This collection examines cross-dressing as a culturally determined performance phenomenon, and brings a wide range of arguments and historical evidence to bear on this fascinating subject. The essays focus on cross-dressing in theatre, cabaret, opera and dance, and address everything from the significance of the cross-dressed classical Greek actor to the Renaissance tradition of adolescent boys playing female roles: from Restoration breeches roles to "vogueing." Using critical perspectives drawn from social history, anthropology, psychoanalysis and gender theory, contributors discuss performance traditions within the wider context of sexology and sexuality, and draws out the differences of their approach. Contributors include Jill Campbell, Yale University; Elizabeth Drorbaugh, Hofstra University; Lynn Garafola, Senior Editor,Dance Magazine; Marybeth Hamilton, University ofLondon; Jean E. Howard, Columbia University; Peggy Phelan, New York University; Isa Ragusa, Princeton University; Laurence Senelick, Tufts University; Alisa Solomon, staff writer forThe Village Voice.