Maya Roy, University of Paris, has written extensively about Cuba and Caribbean identity and hosted a variety of music programs
Acknowledgments
p. vi
Preface
p. ix
Introduction
p. 1
Ritual Music
p. 11
Comparsas and Congas: The "Carnival" Celebrations
p. 33
The Rumba
p. 49
Punto and Tonadas of the Rural Regions
p. 65
The Danzon: Prehistory and Posterity from the Quadrille to the Cha-cha-cha
p. 79
Song: Trova, Bolero, Feeling
p. 103
The Son
p. 119
Music Since the Revolution
p. 149
By Way of a Provisional Epilogue: Buena Vista Social Club or Timba cubana?
p. 179
Bibliography
p. 205
Selective Discography
p. 211
Glossary
p. 239
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