A Cultural History of the Senses in the Age of Empire

The nineteenth century was a time of new sensory experiences and modes of perception. The raucous mechanical intensity of the train and the factory vied for attention with the dazzling splendour of department stores and world fairs. Colonization and trade carried European sensations and sensibilities to the world and, in turn, flooded the West with exotic sights and savours. Urban stench became a matter of urgent public concern. Photography created a compelling alternate reality accessible only to the eye. At the turn of the twentieth century, the telephone and the radio isolated and extended the sense of hearing, and electrical networks spread their webs throughout cities. These novel experiences were reflected in contemporary art and literature, which strove for new ways to express modern sensibilities. A Cultural History of the Senses in the Age of Empire brings together a group of eminent historians to explore the aesthetic, cultural and political formation of the senses during a period of momentous change.

The Cultural History of the Senses set delves into the sensory foundations of Western civilization, taking a comprehensive period-by-period approach which provides a broad understanding of the life of the senses from antiquity to the modern day. Each of the volumes explores the following topics: The Social Life of the Senses; Urban Sensations; The Senses in the Marketplace; The Senses in Religion; The Senses in Philosophy and Science; Medicine and the Senses; The Senses in Literature; The Senses in Art; and Sensory Media. Superbly illustrated, this six-volume set is the most authoritative and comprehensive historical survey of the senses available.

Constance Classen is a cultural historian and director of an interdisciplinary project on art, museums, and the senses. She is the editor of The Book of Touch (Berg, 2005), and the author of, among other works, Worlds of Sense: Exploring the Senses in History and Across Cultures (1993) and The Color of Angels: Cosmology, Gender and the Aesthetic Imagination (1998), as well as The Deepest Sense: A Cultural History of Touch (2012).

Illustrations
General Editor's Preface
Introduction
1. The Social Life of the Senses
2. Urban & Rural Sensations
3. Consumption and the Senses
4. The Senses in Religion
5. The Senses in Philosophy and Science
6. Medicine and the Senses
7. The Senses in Literature
8. Art and the Senses
9. Sensory Media
Notes
Bibliography
Contributors
Index