Cyborg Theatre Corporeal/Technological

This book articulates the first theoretical context for a 'cyborg theatre,' metaphorically integrating on-stage bodies with the technologized, digitized, or mediatized, to re-imagine subjectivity for a post-human age. It covers a variety of examples, to propose new theoretical tools for understanding performance in our changing world.

Jennifer Parker-Starbuck is a Senior Lecturer in Drama, Theatre and Performance Studies at Roehampton University, London, UK. Her essays on bodies, animality, and multimedia have appeared in a variety of books and journals including: Theatre Journal, PAJ, and Women and Performance. She is an Assistant Editor of PAJ and an Associate Editor of the International Journal of Performance Arts and Digital Media.

List of Illustrations
Acknowledgements
Preface: Remembering
Introduction: Why Cyborg Theatre?
Backspace: Historical/Theoretical Intersections
Shifting the Balance: "Abject" Bodies
"Object" of Control: Framing the Fragments
Entering the View: Triangulating "Subject" Bodies
Conclusion: Remembering Bodies, Becoming-Cyborg
Bibliography
Index

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Cyborg Theatre Corporeal/Technological Intersections in Multimedia Performance

Summary

Author Biography

Table of Contents

Supplemental Materials