Deleuze and World Cinemas

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Summary

Brings Deleuze's writings on cinema into contact with world cinema, drawing on examples ranging from Georges Méliès to Michael Mann.

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Acknowledgements	p. ix
Introduction: Deterritorializing Deleuze	p. 1
Attraction-Image
The Attraction-Image: From Georges Méliès to the Spaghetti Western	p. 23
Impossible Voyage (1904)
Django (1966)
Keoma (1976)
History: Deleuze After Dictatorship
The Child seer in and as History: Argentine Melodrama	p. 69
Kamchatka (2002)
Folding and Unfolding History: South Korean Time Travel Movies	p. 100
Calla (1999)
Ditto (2000)
2009: Lost Memories (2002)
Space: Geopolitics and the Action-Image
Not Just Any-space-whatever: Hong Kong and the Global/Local Action-Image	p. 133
Police Story (1985)
Globalization's Action Crystals: Los Angeles in Michael Mann Blockbusters	p. 162
Heat (1995)
Collateral (2004)
Masala-Image
The Masala-Image: Popular Indian (Bollywood) Cinema	p. 201
Toofani Tarzan (1936)
Awaara (1951)
Dilwale Dulhania Le Jayenge (1995)
Conclusion: The Continuing Adventures of Deleuze and World Cinemas	p. 234
Notes	p. 238
Select Bibliography	p. 259
Index	p. 265
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