Diasporic Avant-Gardes Experimental Poetics and Cultural Displacement

Barrett Watten is Professor of English at Wayne State University. Carrie Noland is Associate Professor of French and Comparative Literature at the University of California, Irvine.

Introduction--Carrie Noland and Barrett Watten * Aimé Césaire and the Syntax of Influence--Brent Edwards * Alan Sondheim’s Internet Diaspora--Maria Damon * Remediation and Diaspora: Kamau Brathwaite’s Video-Style--Carrie Noland * Re-opening a Poetics of Re-openings (a.k.a. ‘Naked Strategic Partners’)--Rodrigo Toscano * On the Outskirts of Form: Cosmopoetics in the Shadow of NAFTA--Michael Davidson * Franco Luambo Makiadi’s Universalism
and Avant-Garde Particularity--Barrett Watten * ah noh musik dat: Speech in the Discourse of Nationalism--Mark McMorris * On the Nomadic Circulation of Contemporary Poetics
Between Europe, North America, and the Maghreb--Pierre Joris * Diaspora and the Avant-Garde
in Contemporary Black British Poetry--Lauri Ramey * Something Nation: Radical Spaces of Performance in Linton Kwesi Johnson and cris cheek--Carla Harryman * From Spanglish to Glossolalia: Edwin Torres's Nuyo-Futurist Utopia--Urayoán Noel * From Bass Cathedral--Nathaniel Mackey* From Vaduz [Performance Poem]--Bernard Heidsieck

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