Dreams of Chaos, Visions of Order

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Preface
Acknowledgments
Acquired Taste?: The Problem of the Viewer	p. 1
Avant-garde Film Viewing as Problem Solving	p. 13
The Poetic Strain of the Avant-garde	p. 29
Brakhage, Abstract Expressionism and Interpretive Schemata	p. 61
Rounding Up the Usual Suspects: The Minimal Strain and Interpretive	p. 71
Film that Insists on Its Shape: The Minimal Strain	p. 95
The Usual Suspects Still at Large: The Interpretive Schemata of the Assemblage Strain	p. 126
The Logic of the Absurd: The Assemblage Strain	p. 145
Afterword: The Avant-garde Cinema in the Age of Postmodernism	p. 179
Notes	p. 187
References	p. 195
Index	p. 207
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