- ISBN: 9780385423090 | 0385423098
- Cover: Paperback
- Copyright: 8/18/1992
Reginald Martin received his MFA from Norwich University and his PhD from University of Tulsa. His academic focus is on composition and African-American literary theory. His published works include A Deeper Shade: The Best in Black Erotica and Everybody Know What Time It Is. He teaches at the University of Memphis.
Roseann P. Bell received her PhD from Emory University. Her published works include Sturdy Black Bridges: Visions of Black Women in Literature and Erotique Noire/Black Erotica.
Fore/Play | |
Preface In(se)duction: Out of the Closet and into the Bedroom | |
Introduction | |
Love Juices and Other Squeezables | |
Tasty Knees | p. 5 |
Love Poem | p. 6 |
Sweet Sugarcane From The Women of Brewster Place | p. 7 |
Stolen | p. 11 |
Afro-Hispanic Triptych: Three Women | p. 13 |
Haiku #9 | p. 17 |
Midnight Licorice Nights | p. 18 |
Put Your Tongue in It | p. 19 |
A Dinner Invitation | p. 21 |
Cuntinent | p. 23 |
Temple Oranges | p. 29 |
Beached | p. 31 |
My All Day Sucker | p. 33 |
Forbidden Fruits and Unholy Lusts: Illicit Sex in Black American Literature | p. 35 |
When the Spirits Come | |
Saint Chant | p. 49 |
The Seal | p. 51 |
Sexy Signs | p. 52 |
Haiku #79 | p. 60 |
sudden ecstasies in lefthanded places (whatever the traffic will bear) | p. 61 |
From Say Jesus and Come to Me | p. 64 |
Man to Man | p. 70 |
There | p. 72 |
Faded Roses | p. 76 |
A Single Rose | p. 77 |
Uses of the Erotic: The Erotic as Power | p. 78 |
At Sixty | p. 84 |
All in Good Taste | p. 85 |
African-American Erotica and Other Curiosities: "The Blacker the Berry, the Sweeter the Juice . . ." | p. 86 |
Movin to the Beat | |
The Sweetest Sound | p. 99 |
Double Congas | p. 100 |
From Under the Skin of the Drums | p. 101 |
when the horn fits, blow it | p. 104 |
Gorgeous Puddin' | p. 105 |
Taking a Six for a Nine: Sexual Imagery in the Trinidad Calypso | p. 107 |
From Sounds of Joy | p. 114 |
Untitled | p. 117 |
Songs They Could Sing #789 | p. 118 |
Dew's Song | p. 119 |
Swimming in Your Wetness | |
All Wet in Green | p. 129 |
P.G. | p. 130 |
Black Male/Tales | p. 132 |
Haiku #107 | p. 141 |
Erotic Note #4 | p. 142 |
Untitled | p. 143 |
Wet Kisses | p. 144 |
Meet | p. 149 |
Insatiable | p. 151 |
From Echo of Lions | p. 154 |
From Woman Story | p. 156 |
Haiku #52 | p. 159 |
Birds | p. 160 |
Haiku #102 | p. 161 |
Edible or Incredible: Black Erotic Collectibles | p. 162 |
Naughty, Nasty, and Nice | |
Pin-up Poems | p. 171 |
Tocame | p. 176 |
The Fight | p. 180 |
From Hadriana dans tous mes reves | p. 181 |
Stray Thoughts | p. 184 |
Nasty Delightful Things From Down These Mean Streets | p. 185 |
Telegram from Topeka | p. 188 |
Teasing Tales and Tit(Bit)s From Shuckin' and Jivin' | p. 189 |
Warning | p. 193 |
Channeling | p. 193 |
Channeling | p. 194 |
A New Year's Eve Celebration | p. 196 |
Dyke Hands | p. 198 |
Dildo | p. 200 |
Ooohwee, Baby, You Feel So Good | |
Fresh | p. 207 |
Trotting Through the Park | p. 209 |
What Makes Siedah Zip From EveryBody Knows What Time It Is | p. 210 |
Baby | p. 217 |
We'll Be Real Good Together | p. 219 |
Commitment to Hardness | p. 224 |
Haiku #29 | p. 227 |
Summer | p. 228 |
The Three-Token Stradivarius | p. 229 |
Sunburst from the Earth | p. 240 |
Untitled 2 | p. 241 |
From Long Distance Life | p. 242 |
Plain Wrappers | p. 246 |
Taking the Plunge | |
Haiku #25 | p. 255 |
Cafe Noir | p. 256 |
Sexionnaire | p. 258 |
To a Boy | p. 260 |
From First Person Singular | p. 261 |
You Knew | p. 265 |
Erector Set | p. 268 |
Teaching the Sweet Thing | p. 269 |
From Teach Me | p. 271 |
From The Initiation of Belfon | p. 273 |
Discoveries | p. 276 |
Opening Night | p. 278 |
Dear Diary | p. 280 |
bangarang mesticagem | p. 283 |
The 1st 3 Daze | p. 285 |
Flipping to the Wild Side | |
From Making Whoopee | p. 299 |
Touching | p. 301 |
Lust | p. 308 |
Fuck | p. 309 |
Lonnie's Cousin | p. 310 |
The X-Lovers | p. 319 |
I Wanna Be Wild and Wonderful! | p. 321 |
Love Poem | p. 325 |
A Good Knight's Leap | p. 326 |
Haiku #28 | p. 334 |
Comin to Terms | p. 335 |
(hug) | p. 339 |
From Black Borealis | p. 340 |
Pt. 9 | |
Kool N Kinky/Hot N Heavy | |
For Kazuko | p. 349 |
Cabin Fever From The Lakestown Rebellion | p. 350 |
From GAR | p. 355 |
The Joys and Power in Celibacy | p. 357 |
From Running Come Touch | p. 360 |
Olive Oil | p. 362 |
Victory | p. 367 |
Wrestling and Pole Vaulting From Pinktoes | p. 368 |
Summer Madness | p. 373 |
From Platitudes | p. 375 |
Interpenetration Side Two | p. 377 |
The Hog Caller's Party | p. 378 |
Exotic Landscapes/Erotic Mindsets | |
The Joy of Sex | p. 385 |
Piece of Time | p. 387 |
Cleopatra | p. 392 |
Antony | p. 393 |
On a Night of the Full Moon | p. 394 |
Venus Rising | p. 396 |
An Utrillo, Possibly | p. 398 |
Hot Missives | p. 399 |
Movement III From The Tomb of Sorrow | p. 410 |
I Have a Memory | p. 414 |
From Smoke, Lilies and Jade | p. 416 |
Tell Me You Love Me | p. 420 |
Poetica Erotica | p. 422 |
Godze 1783 From Valide | p. 425 |
405 Scott Street | p. 431 |
Eroticism in Sub-Saharan African Films | p. 433 |
After/Play | p. 438 |
Notes on Contributors | p. 440 |
Acknowledgments | p. 452 |
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