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Essays on Medieval Music

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Editor's Preface
Conference Program
Welcome
David Hughes: An Informal Portrait
De Accentibus Toni Oritur Nota Quae Dicitur Neuma: Prosodic Accents, the Accent Theory, and the Paleofrankish Script	p. 17
Chant Notation in Eleventh-Century Roman Manuscripts	p. 43
The Antiphon Cantantibus Organis and Dante's Organi Del Mondo	p. 59
Thoughts on Responsories	p. 77
Prolegomena to a History of Music and Liturgy at Rome in the Middle Ages	p. 87
The Tabula Monochordi of Magister Nicolaus de Luduno	p. 117
The Repertory of Sequences at Winchester	p. 153
The Origin of the Monodic Chants in the Codex Calixtinus	p. 195
Rome and Jerusalem: From Oral Tradition to Written Repertory in Two Ancient Liturgical Centers	p. 207
Structure and Ornament in Chant: The Case of the Beneventan Exultet	p. 249
Gregorian Chant and Oral Transmission	p. 277
Antiphonal Psalmody in Christian Antiquity and Early Middle Ages	p. 287
A Sommacampagna Codex of the Italian Ars Nova?	p. 317
Notes On The Tropes in Manuscripts of the Rite of Aquileia	p. 333
Ways of Telling Stories	p. 371
Guido's Theory of Organum after Guido: Transmission - Adaptation - Transformation	p. 395
Rithmus	p. 415
Once More, Music and Language in Medieval Song	p. 441
Ut Hic: Announcing a Study of Musical Examples in the Thirteenth-Century Music Treatises	p. 471
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