Falling After 9/11 Crisis in American Art and Literature

Falling After 9/11 investigates the connections between violence, trauma, and aesthetics by exploring post 9/11 figures of falling in art and literature. From the perspective of trauma theory, Aimee Pozorski provides close readings of figures of falling in such exemplary American texts as Don DeLillo's novel, Falling Man, Diane Seuss's poem, "Falling Man," Jonathan Safran Foer's Extremely Loud and Incredibly Close, Frédéric Briegbeder's Windows on the World, and Richard Drew's famous photograph of the man falling from the World Trade Center.

Falling After 9/11 argues that the apparent failure of these texts to register fully the trauma of the day in fact points to a larger problem in the national tradition: the problem of reference-of how to refer to falling-in the 21st century and beyond.

Preface
Acknowledgements

Introduction Falling After 9/11: Crisis in American Art and Literature

Chapter 1 Gravity, Gravitas, Grave: How to Refer to Falling

Chapter 2 Beyond the Literal: The Falling Man and Moral Failing

Chapter 3 Journalism's Falling Man: Documentation and Truth-Telling

Chapter 4 Don DeLillo's Performance Art: Failure Bears Witness to Falling

Chapter 5 The Poetics of Falling: The Lyrical Laments of Kennedy and Seuss

Chapter 6 Extremely Loud and Incredibly Close: Historical Reverberation and Scientific Invention in Jonathan Safran Foer's 9/11 Iconotext

Epilogue Cycle of Terror and Tragedy: Parrish's 9/11 Mural Revisited

Works Cited
Index

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.