Fashion and Women's Attitudes in the Nineteenth Century
, by Cunnington, C. Willett
- ISBN: 9780486788616 | 048678861X
- Cover: Hardcover
- Copyright: 12/20/2013
The nineteenth century, according to C. Willett Cunnington, was a period when the cult of modesty was a tactical maneuver camouflaged as a virtue. It was also a period when euphemisms were used for such terms as "naked," "breast," and "leg," and when underclothing was vaguely spoken of as "lingerie."
Cunnington, an early twentieth-century authority on fashion, argues that the Victorian matron was governed as much by current popular style as she was by instinct and custom. In a light, amusing, and highly readable account, he not only describes what Englishwomen wore in the nineteenth century but also explains why they clothed themselves as they did.
Enlivened with extracts from novels; correspondence from the columns of ladies' magazines; fashion descriptions and period advertisements of beauty aids; the volume traces changes in feminine dress and ideas decade by decade through the 1800s. The importance of being "in fashion" and the longing to imitate — in appearance — those in the same social group is closely examined, as is the desire to be sexually attractive and its counter-effort — to conceal sexual features.
A carefully researched work on a fascinating subject, this volume will appeal to a wide audience, encompassing feminists, sociologists, fashion historians, and costume designers.
Cunnington, an early twentieth-century authority on fashion, argues that the Victorian matron was governed as much by current popular style as she was by instinct and custom. In a light, amusing, and highly readable account, he not only describes what Englishwomen wore in the nineteenth century but also explains why they clothed themselves as they did.
Enlivened with extracts from novels; correspondence from the columns of ladies' magazines; fashion descriptions and period advertisements of beauty aids; the volume traces changes in feminine dress and ideas decade by decade through the 1800s. The importance of being "in fashion" and the longing to imitate — in appearance — those in the same social group is closely examined, as is the desire to be sexually attractive and its counter-effort — to conceal sexual features.
A carefully researched work on a fascinating subject, this volume will appeal to a wide audience, encompassing feminists, sociologists, fashion historians, and costume designers.
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