Feminist and Queer Performance Critical

Sue-Ellen Case is arguably the most influential and significant scholar in feminist and queer theatre studies. This collection brings together her most important writing. Framing this with new introductory material, Sue-Ellen Case contextualizes her work within broader developments in critical theory and feminist / lesbian studies.

SUE-ELLEN CASE is Professor and Chair of Critical Studies in Theater at the University of California at Los Angleles (UCLA) .

Acknowledgments	p. vi
Introduction	p. 1
Queer Theory and Performance
Making Butch: an Historical Memoir of the 1970s	p. 17
Toward a Butch-Femme Aesthetic	p. 31
Toward a Butch-Feminist Retro-Future	p. 49
Tracking the Vampire	p. 66
The Queer Globe Itself	p. 86
Feminist Performance
Feminism and Performance: a Post-Disciplinary Couple	p. 101
The Masked Activist: Greek Strategies for the Streets	p. 111
Performing Feminism on the International Stage	p. 125
The Screens of Time: Feminist Memories and Hopes	p. 133
Gendered Performance and New Technologies
Performing the Cyberbody on the Transnational Stage	p. 149
Dracula's Daughters: In-Corporating Avatars in Cyberspace	p. 170
Index	p. 188
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Feminist and Queer Performance Critical Strategies

Summary

Author Biography

Table of Contents

Supplemental Materials