Film, Art, New Media: Museum Without Walls? Museum Without Walls?

An anthology of essays exploring the relationship between film and art, within and across the domains of theory and practice, from the late nineteenth century to the present.

Angela Dalle Vacche is Professor of Film Studies at the Georgia Institute of Technology, USA. She is the author of The Body in the Mirror: Shapes of History in Italian Cinema (1992), Cinema and Painting: How Art is Used in Film (1996), The Visual Turn: Classical Film Theory and Art History (2002), Colour: A Film Reader (co-edited, 2006) and Diva: Defiance and Passion in Early Italian Cinema (2008). She has also contributed to numerous edited collections and has published articles in journals such as Cinema Journal, Revue D'Etudes Cinmatographiques, Framework, Film/Literature Quarterly, Film Quarterly and Film Criticism.