The Fire Within

Adapted to film by both Louis Malle and Joachim Trier, this heart-rending and tenderly wrought novel narrates the decline of an artist and heroin addict in 1920s Paris.

Pierre Drieu la Rochelle might be said to be both the Hemingway and the Fitzgerald of twentieth-century French literature, a battle-scarred veteran of the First World War whose work chronicles the trials and tribulations of a lost generation, a man about town, a heartbreaker with a broken heart, a literary stylist whose work is as tough as it is lyrical and polished. Politically compomised as Drieu came to be by his affiliation with the fascist right and collaboration under Nazi occupation—Drieu committed suicide at the end of the war—his novels remain vivid reflections of a broken spiritual and political world of the interwar years and as works of art, and to this day they are widely read and greatly admired in France.

The Fire Within, which has been successfully adapted to the screen by Louis Malle and more recently Joachim Trier, is the lacerating tale of Alain Leroy, a war veteran and beautiful young man of whom the world is expected but who has taken refuge from the world in drugs. After being institutionalized, Alain emerges to try to put his life together again, but in spite of the attentions of friends and lovers, he struggles to find his way.

Pierre Drieu la Rochelle (1893-1945) was a French writer of novels, short stories, and political essays. His work was marked by his experience as a soldier during World War I. After the war, as the director of the Nouvelle Revue Française, he became a leading figure of cultural collaboration with the Nazis during France’s occupation. After the liberation of Paris, Drieu went into hiding and committed suicide. Two novels, The Fire Within (1931) and Gilles (1939), are his most enduring works.  

Richard Howard is the author of many volumes of poetry, including Richard Howard Loves Henry James for NYRB Poets, and has published more than one hundred fifty translations from the French, including, for New York Review Books, Marc Fumaroli’s When the World Spoke French and Honoré de Balzac’s Unknown Masterpiece. He won a Pulitzer Prize for the poetry collection Untitled Subjects.