Four Farces

Wild plots and quicksilver wit characterize the plays of Georges Feydeau. Called the greatest master of French comedy since Moliere by admirers such as Kenneth Tynan, Feydeau reflects the lusty tradition of the French bedroom farce as well as the tough exorbitant humor later to find full expression in the theater of the absurd.

PREFACE

ix

(4)

INTRODUCTION

xiii

WOOED AND VIEWED (Par la fenetre)

1

(20)

ON THE MARRY-GO-WRONG (Le Mariage de Barillon)

21

(102)

NOT BY BED ALONE (Un Fil a la patte)

123

(160)

GOING TO POT (On purge Bebe)

283

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Summary

Table of Contents

Supplemental Materials