Cultural subversions of the dominant representations of slavery
Michael A. Chaney is Assistant Professor of English at Dartmouth College.
List of Illustrations
p. vii
Acknowledgments
p. ix
Introduction: Looking Beyond and Through the Fugitive Icon
p. 1
Fugitive Gender: Black Mothers, White Faces, Sanguine Sons
Racing and Erasing the Slave Mother: Frederick Douglass, Parodic Looks, and Ethnographic Illustration
p. 17
Looking for Slavery at the Crystal Palace: William Wells Brown and the Politics of Exhibition(ism)
p. 49
The Uses in Seeing: Mobilizing the Portrait in Drag in Running a Thousand Miles for Freedom
p. 80
Still Moving: Revamped Technologies of Surveillance
Panoramic Bodies: From Banvard's Mississippi to Brown's Iron Collar
p. 113
The Mulatta in the Camera: Harriet Jacobs's Historicist Gazing and Dion Boucicault's Mulatta Obscura
p. 148
Throwing Identity in the Poetry-Pottery of Dave the Potter
p. 176
Conclusion
p. 209
Notes
p. 215
Works Cited
p. 235
Index
p. 247
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