Gauguin

This major reevaluation of Paul Gauguin presents the artist and his work in an entirely new light. The vivid, unnaturalistic colors and bold outlines of Gauguin's paintings and the strong, semiabstract quality of his woodcuts had a profound effect on the development of twentieth-century art. Here readers will discover why Gauguin was one of the most important artists behind European modernism--yet one who also challenged its very tenets. Because while modern art largely rejected narrative, for Gauguin it remained central.Gauguinis the first book to fully examine his use of stories and myth to give powerful narrative tension to his paintings at a time when other painters thought storytelling was dead. Gauguin's life in French Polynesia is often portrayed as a quest for the other, with the artist as the romantic explorer encountering primitive cultures for the first time. In fact, he was deeply immersed in world art and a great reader of Polynesian stories and myths. This book cuts through the mystique surrounding Gauguin--one the artist himself cultivated--to show how he self-mythologized, presenting himself to the world as a suffering, Christ-like figure.Stunningly illustrated and unprecedented in scope,Gauguinfeatures more than 200 museum-quality reproductions of paintings, works on paper, ceramics, woodcarvings, and writings, including Gauguin's beautifully illustrated letters and books.Exhibition Schedule:Tate Modern, London September 30, 2010 - January 16, 2011National Gallery of Art, Washington February 21 - May 30, 2011

Belinda Thomson is an independent scholar and honorary fellow at the University of Edinburgh. Her books include "Van Gogh Paintings: The Masterpieces". Tamar Garb is the Durning Lawrence Professor in the History of Art at University College London. Charles Forsdick is the James Barrow Professor of French at the University of Liverpool. Vincent Gille works at the Pavillon des Arts in Paris. Linda Goddard is lecturer in art history at the University of St. Andrews. Philippe Dagen teaches contemporary art at the Sorbonne and is a critic for "Le Monde".