Orapronobis Against Philippine Totalitarianism (2000)
13
(22)
Jonathan L. Beller
The Filipino Presence in Hollywood's Bataan Films
35
(26)
Jean Vengua Gier
II. Constestable Imageries and Imaginaries
The Noranian Imaginary
61
(16)
Neferti X. M. Tadiar
The Dissemination of Nora Aunor
77
(19)
Patrick D. Flores
Nardong Putik in the Genealogy of Tagalog Folk Heroes
96
(10)
Francis A. Gealogo
The Filipina OCW in Extremis
106
(19)
Alice G. Guillermo
Historico-Geographical Imaginations in Ishmael Bernal's Nunal sa Tubig
125
(20)
Eulalio R. Guieb III
III. Representations of Imperial and State Violence
True Fictions, Women's Narratives, and Historical Trauma
145
(17)
Bliss Cua Lim
Pax Americana and the Pacific Theater
162
(32)
Sharon Delmendo
RAM and the Filipino Action Film
194
(23)
Alfred W. McCoy
The Criminal State and the Chinese in Post-1986 Philippines
217
(28)
Caroline S. Hau
IV. Geopolitical Cinema and Identity Formation
``Art Naif'' and the Admixture of Worlds
245
(19)
Fredric Jameson
Cinema of the ``Naive'' Subaltern in Search of an Audience
264
(13)
E. San Juan, Jr.
Aliwan Paradise and the Work of Satire in the Age of Geopolitical Entertainment
277
(13)
Robert Silberman
Goodbye America (The Bride is Walking . . .)
290
(29)
Camilla Benolirao Griggers
Notes
319
(34)
References
353
(17)
About the Contributors
370
(2)
Index of Films Cited
372
(2)
Index of Personal and Place Names
374
(5)
Subject Index
379
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