The Gothic

This guide provides an overview of the most significant issues and debates in Gothic studies. The guide is divided into four parts: bull; bull;The opening section explains the origins and development of the term ls"Gothicrs", considers the particular features of the Gothic within specific periods, and explores its evolution in both literary and non-literary forms, such as art, architecture and film. bull;The following section contains extended entries on major writers of the Gothic, pointing to the most significant features of their work. bull;The third section features authoritative readings of key works, ranging from Horace Walpolers"s The Castle of Otranto to Bret Easton Ellisrs"s American Psycho. bull;Finally, the text considers recurrent concerns of the Gothic such as persecution and paranoia, key motifs such as the haunted castle, and figures such as the vampire and the monster. Supplementary material includes a chronology of key Gothic texts, listing literature and film from 1757 to 2000, and a comprehensive guide to further reading.

David Punter is Professor of English at the University of Bristol. He has previously taught at the Chinese University of Hong Kong and at Fudan University in Shanghai, among other institutions. His recent publications include Postcolonial Imaginings (2000), Writing the Passions (2000), Gothic Pathologies (1998), and The Literature of Terror (2 vols., 1996). He has also published four volumes of poetry.Glennis Byron is Reader in English Studies at the University of Stirling. She has also taught at the University of Alberta in Canada. Her previous publications include Dramatic Monologue (2003), Letitia Landon: The Woman Behind L.E.L (1995), and Elizabeth Barrett Browning and the Poetry of Love (1989).