- ISBN: 9780743477123 | 074347712X
- Cover: Paperback
- Copyright: 7/1/2003
Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare’s Romances and of essays on Shakespeare’s plays and their editing.
Paul Werstine is Professor of English at the Graduate School and at King’s University College at Western University. He is a general editor of the New Variorum Shakespeare and author of Early Modern Playhouse Manuscripts and the Editing of Shakespeare and of many papers and articles on the printing and editing of Shakespeare’s plays.
List of illustrations | p. xi |
General editors' preface | p. xiv |
Preface | p. xix |
Introduction | p. 1 |
The challenges of Hamlet | p. 1 |
The challenge of acting Hamlet | p. 2 |
The challenge of editing Hamlet | p. 8 |
The challenge to the greatness of Hamlet: Hamlet versus Lear | p. 13 |
Hamlet in our time | p. 17 |
The soliloquies and the modernity of Hamlet | p. 18 |
Hamlet and Freud | p. 26 |
Reading against the Hamlet tradition | p. 32 |
Hamlet in Shakespeare's time | p. 36 |
Hamlet at the turn of the century | p. 36 |
The challenge of dating Hamlet | p. 43 |
Was there an earlier Hamlet play? | p. 44 |
Are there any early references to Shakespeare's play? | p. 47 |
Can me date Hamlet in relation to other contemporary plays? | p. 49 |
Hamlet's first performances | p. 53 |
The story of Hamlet | p. 59 |
Murder most foul | p. 59 |
An antic disposition | p. 64 |
'Sentences', speeches and thoughts | p. 70 |
The composition of Hamlet | p. 74 |
The quartos and the Folio | p. 74 |
The quartos | p. 74 |
The First Folio | p. 78 |
The relationship of Q2 to Q1 | p. 80 |
The relationship of F to Q2 | p. 82 |
What, then, of Q1? | p. 85 |
Editorial practice | p. 87 |
Why a three-text edition? | p. 91 |
Hamlet on stage and screen | p. 95 |
Hamlet and his points | p. 95 |
Enter the director | p. 109 |
Hamlet and politics | p. 115 |
Novel Hamlets | p. 122 |
Hamlet meets Fielding, Goethe, Dickens and others | p. 122 |
Hamlet and women novelists | p. 126 |
Prequels and sequels | p. 131 |
The continuing mystery of Hamlet | p. 132 |
The Tragical History of Hamlet, Prince of Denmark The Second Quarto (1604-5) | p. 139 |
Appendices | |
Folio-only passages | p. 465 |
The nature of the texts | p. 474 |
The early printed texts | p. 474 |
The early quartos | p. 474 |
The First Folio | p. 482 |
The quartos and folios after 1623 | p. 485 |
Modern editors at work | p. 486 |
The written text | p. 487 |
The performed text | p. 493 |
The printed text | p. 494 |
The multiple text | p. 496 |
A common position? | p. 500 |
Our procedure as editors of Hamlet | p. 506 |
Determining transmission | p. 506 |
Editorial principles | p. 509 |
Lineation and punctuation | p. 518 |
Textual tables | p. 523 |
Editorial conventions and sample passages | p. 533 |
Conventions | p. 533 |
Proper names | p. 533 |
Act and scene numbers | p. 533 |
Commentary | p. 533 |
Textual notes | p. 534 |
Sample passages | p. 536 |
The act division at 3.4/4.1 | p. 543 |
The editorial tradition | p. 543 |
The theatrical tradition | p. 548 |
Our decisions for the new Arden Hamlet | p. 551 |
Casting | p. 553 |
Music | p. 566 |
Abbreviations and references | p. 569 |
Abbreviations used in notes | p. 569 |
Works by and partly by Shakespeare | p. 569 |
Editions of Shakespeare collated | p. 571 |
Other works cited | p. 576 |
Index | p. 599 |
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