Having Fun with Gelli Plate Prints Easy mixed-media printmaking

Discover the colorful world of gelli plate printing and create your own unique designs!

Learn the key techniques and turn your prints into wonderfully simply yet stunning pieces, from printed bags, clothing, bunting and lampshades, to wall art and even furniture.

Using a gelli plate as a base - readily available to buy, or made from gelatine using the recipe in the book - Katrin Klink and Sabine Ickler show how to create individual monoprinted designs. Use any paint to dab, stamp or stencil your designs to create an infinite amount of patterns and textures on a variety of surfaces or objects. Often using everyday household items, such as kitchen utensils or vegetables, as well as store-bought stamps, you will soon be creating beautifully unique monoprints with minimal equipment and maximum impact.
Inside this practical book, filled with essential techniques, you will find:

• All the tools and materials you need clearly explained.
• A broad range of techniques, along with a thorough explanation of colour theory to put into practice with your own designs.
• 19 practical and achievable projects, together with many more inspirational variations and customizable ideas for creating your own uniquely printed pieces.
• Colorful photos to inspire your gelli plate printing journey!

The beauty of gelli plate printing is its simplicity - it's easy to get started, quick to clean up after use, and suitable for painting enthusiasts of all ages and abilities. Get ready to experiment and create a plethora of vibrant and creative printed designs!

Katrin Klink is an illustrator and graphic designer, and loves everything to do with patterns. She became passionate about printing during her studies at the Academy of Art in Stuttgart, Germany. She's been a big fan of gelli printing since her first attempts, for both the experimental approach and the opportunity to develop pattern designs, as well as making very specific projects. Katrin loves the effective results gelli print plates create, all with ease and minimal equipment.
Sabine Ickler loves creating new things and expressing her feelings for colors and shapes in her work. She is a graphic designer and mixed-media artist. Inspired by large, bright patterns from the seventies during her childhood, she now uses those bold colors – as vintage patterns or interpreted in a modern way – for projects such as covers for sketchbooks or travel diaries. Sabine enjoys how gelli printing offers the exciting opportunity to quickly and easily print her own patterns on paper, fabric and even on suitcases or furniture.

Foreword 6
1. Materials, paints & techniques
Materials; The Gelli Plate 12; Paints 14; Paper and Fabric 16; Tools 18; Stamps 20
COLOURS; Understanding and Mixing Colours – The Colour Palette 24; The Colour Wheel 25; Colour Gradations 26; Saturation 27; Complementary Colours 28; Colours Around Us 29; Developing Your Own Colour Combinations 30
PRINTING; Printing with Simple Household Objects 34; Printing Simple Shapes 36; Multicolour Printing 38; Ghost Prints 40
STENCILS & STAMPS; The Grunge Effect 44; Potato Printing 48; Sketchbook with Potato Printing 50; Fabric Collection and Yellow Bag 52; Foam Rubber Stamps 54; Eraser Stamps 56; Japanese Fabric Bags 58
RESIST PRINTING; Wax Resist Technique 62; Motif Printing with Magazines 64
WATERCOLOURS; Using Watercolours  72
FREESTYLE; Printing Freestyle Patterns  76; Combining with Other Materials  78; Printing on Tissue Paper  79; Printing Large Surfaces or Joins  80; Printing Aprons  82; Printing Mandalas  84
2. From Print to Design; A Whole New World of Gelli Printing  90
3. Projects; Mini Book  96
Travel Bags  98; Gardening Gloves 104; Japanese Pouch 105; Cans, Boxes, and Bowls 106; Covering Objects with Tyvek® 108; Art Wall 110; Geometric Shapes 112; 3D Geometric Shapes 114; Lampshades 116; Covering with Printed Tissue Paper 117; Shopping Bag 120; Bunting 121; Zipped Bag 122; Collage of Various Prints 124; Kimono 126; Lunch Bag 128; Bag with Rings 130; Oven Gloves 131
APPENDIX; Stencils 134; About the authors 143