Transfiguration" addresses the manner in which the spectacle and figuration of death haunts the narrative universe of Hitchcock's films, in particular his subversive masterpiece "Psycho,"
Acknowledgments
p. xiii
Hitchcock Chronology
p. xiv
Authorship and Aesthetics
p. 13
Hitch
p. 15
Hitchcock and Humor
p. 22
Doubles and Doubts in Hitchcock
p. 37
The Object and the Face
p. 64
Unknown Hitchcock
p. 85
French Hitchcock
p. 107
To Catch a Liar
p. 109
Hitchcock the First Forty-Four Films
p. 119
Hitchcock with Deleuze
p. 128
Poetics and Politics of Identity
p. 147
Music and Identity
p. 149
The Silence of the Birds
p. 164
The Master, the Maniac, and Frenzy
p. 179
Hitchcock's Ireland
p. 193
Hitchcock and Hom(M)Osexuality
p. 211
Death and Transfiguration
p. 229
Death Drives
p. 231
Of "Farther Uses of the Dead to the Living"
p. 243
Is There a Proper Way to Remake a Hitchcock Film?
p. 257
Index
p. 275
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