A Hitchcock Reader

This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock

Marshall Deutelbaum is Professor Emeritus of English at Purdue University, where he teaches courses in film history and theory.

Leland Poague is Professor of English at Iowa State University.

Preface to the Second Edition	p. viii
Preface to the First Edition	p. xi
A Brief Chronology	p. xiii
Notes on Contributors	p. xv
Acknowledgments	p. xx
Introduction	p. xxiii
Taking Hitchcock Seriously	p. 1
Hitch and His Public	p. 17
Hitchcock's Imagery and Art	p. 25
Retrospective	p. 35
Hitch as Matrix-Figure: Hitchcock and Twentieth-Century Cinema	p. 47
Hitchcock in Britain	p. 69
Hitchcock's The Lodger	p. 75
Criticism and/as History: Rereading Blackmail	p. 85
Alfred Hitchcock's Murder!: Theater, Authorship, and the Presence of the Camera	p. 96
Consolidation of a Classical Style: The Man Who Knew Too Much	p. 107
Through a Woman's Eyes: Sexuality and Memory in The 39 Steps	p. 114
Rematerializing the Vanishing "Lady": Feminism, Hitchcock, and Interpretation	p. 126
Hitchcock in Hollywood	p. 137
All in the Family: Alfred Hitchcock's Shadow of a Doubt	p. 145
The Moral Universe of Hitchcock's Spellbound	p. 156
Notorious: Perversion par Excellence	p. 164
Strangers on a Train	p. 172
The Later Films	p. 183
Hitchcock's Rear Window: Reflexivity and the Critique of Voyeurism	p. 199
Finding the Right Man in The Wrong Man	p. 212
Male Desire, Male Anxiety: The Essential Hitchcock	p. 223
A Closer Look at Scopophilia: Mulvey, Hitchcock, and Vertigo	p. 234
North by Northwest	p. 250
"Oh, I See....": The Birds and the Culmination of Hitchcock's Hyper-Romantic Vision	p. 264
Mark's Marnie	p. 280
The Queer Voice in Marnie	p. 295
Rituals of Defilement: Frenzy	p. 312
Hitchcock and Film Theory: A Psycho Dossier	p. 327
Psychosis, Neurosis, Perversion	p. 341
Psycho's Allegory of Seeing	p. 361
On Being Norman: Performance and Inner Life in Hitchcock's Psycho	p. 368
Index	p. 377
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