Laura Swift is Lecturer in Classical Studies at the Open University.
Chris Carey is Professor of Greek at University College London.
Preface List of Contributors Introduction I: Poetry in Performance 1. Cultic Contexts for Elegiac Performance, Ewen Bowie 2. Choral Elegy, Cecilia Nobili 3. Coarse Poetics: Listening to Hipponax, Deborah Boedeker 4. Archilochus and Homer in the Rhapsodic Context, Don Lavigne II: Charting Genre, Creating Traditions 5. The Ancient Literary History of Iambos, Andrea Rotstein 6. Mapping Iambos: Mining the Minor Talents, Chris Carey 7. Simonides' Personal Elegies, David Sider 8. Writing Solon, Antonio Aloni and Alessandro Iannucci 9. Archilochus' Elegiac Fragments: Textual and Exegetical Notes, Anika Nicolosi III: Cultural Interactions 10. Elegy and Epic: A Complex Relationship, Laura Lulli 11. Mythological Narratives in Hipponax, Margarita Alexandrou 12. Bupalus in Scheria: Hipponax's Odyssean Transcontextualizations, Tom Hawkins 13. Poetics and Precedents in Archilochus' Erotic Imagery, Laura Swift IV: Ancient Receptions and Intertexts 14. Warding Off a Hailstorm of Blood: Pindar on Martial Elegy, Christopher Brown 15. The 'Ship of Fools' in Euenus 8b and Plato's Republic 488a-489a, Paula da Cunha Correa 16. Anger, Bile, and the Poet's Body in the Archilochean Tradition, Julia Nelson Hawkins Bibliography Indexes
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